On stage 23 productions, 23 years
| 1927 | Arabian Nightmare Cort Theatre · Original | 24 perf. |
| 1928 | Quicksand Theatre Masque · Original | 16 perf. |
| 1929 | Conflict Fulton Theatre · Original · directed by Edward Clarke Lilley | 37 perf. |
| 1930 | Suspense Fulton Theatre · Original · directed by Reginald Denham | 7 perf. |
| 1931 | Free For All Manhattan Theatre · Original · directed by Oscar Hammerstein II | 15 perf. |
| 1931 | Steel Times Square Theatre · Original | 14 perf. |
| 1932 | Mourning Becomes Electra Alvin Theatre · Revival · directed by Philip Moeller | 16 perf. |
| 1933 | The Pursuit of Happiness Avon Theatre · Original · directed by Miriam Doyle | 252 perf. |
| 1933 | Tommy Forrest Theatre · Revival · directed by Alan Bunce | 24 perf. |
| 1933 | Two Strange Women Little Theatre · Original · directed by Egon Brecher | 15 perf. |
| 1933 | Unto the Third Bijou Theatre · Original | 4 perf. |
| 1935 | Symphony Cort Theatre · Original · directed by Felix Weissberger | 3 perf. |
| 1936 | It Can't Happen Here Adelphi Theatre · Original · directed by Vincent Sherman | 95 perf. |
| 1937 | Many Mansions Biltmore Theatre · Original · directed by Lee Strasberg | 158 perf. |
| 1937 | Something for Nothing Windsor Theatre · Original · directed by Harry Wagstaff Gribble | 2 perf. |
| 1941 | Clash by Night Belasco Theatre · Original · directed by Lee Strasberg | 49 perf. |
| 1943 | Harriet Henry Millers Theatre · Original · directed by Elia Kazan | 377 perf. |
| 1944 | Last Stop Ethel Barrymore Theatre · Original · directed by Irwin Piscator | 23 perf. |
| 1945 | A Place of Our Own Royale Theatre · Original | 8 perf. |
| 1946 | A Joy Forever Biltmore Theatre · Original · directed by Reginald Denham | 16 perf. |
| 1946 | I Like It Here John Golden Theatre · Original · directed by Charles K. Freeman | 52 perf. |
| 1946 | Years Ago Mansfield Theatre · Original · directed by Garson Kanin | 206 perf. |
| 1950 | Arms and the Girl 46th Street Theatre · Revival · directed by Rouben Mamoulian | 134 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once8 names
| William Nunn | 2 productions |
| Robert Harrison | 2 productions |
| Lois Arnold | 2 productions |
| Helen Carew | 2 productions |
| Edgar Stehli | 2 productions |
| Eda Heinemann | 2 productions |
| Dennie Moore | 2 productions |
| Beverly Bayne | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 8 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any biography.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.