On stage 30 productions, 45 years
| 1925 | Hell's Bells Wallacks Theatre · Original · directed by John Hayden | 120 perf. |
| 1926 | Buy, Buy, Baby Princess Theatre · Original | 12 perf. |
| 1927 | High Gear Wallacks Theatre · Original · directed by Roy Walling | 20 perf. |
| 1931 | Coastwise Provincetown Playhouse · Original | 37 perf. |
| 1931 | School for Virtue Longacre Theatre · Original · directed by Victor Morley | 7 perf. |
| 1931 | The Camels Are Coming President Theatre · Original | 11 perf. |
| 1933 | The Mask and the Face Guild Theatre · Revival · directed by Philip Moeller | 40 perf. |
| 1934 | After Such Pleasures Bijou Theatre · Original | 23 perf. |
| 1937 | Excursion Vanderbilt Theatre · Original · directed by C. Worthington Miner | 116 perf. |
| 1937 | Too Many Heroes Hudson Theatre · Original · directed by Garson Kanin | 16 perf. |
| 1939 | The Philadelphia Story Shubert Theatre · Original · directed by Robert B. Sinclair | 417 perf. |
| 1940 | My Sister Eileen Biltmore Theatre · Original · directed by George S. Kaufman | 864 perf. |
| 1943 | Tomorrow the World Ethel Barrymore Theatre · Original · directed by Elliott Nugent | 500 perf. |
| 1945 | Hollywood Pinafore Alvin Theatre · Original · directed by Douglas Coudy | 52 perf. |
| 1946 | Land's End Playhouse Theatre · Original · directed by Robert Lewis | 5 perf. |
| 1948 | Goodbye, My Fancy Morosco Theatre · Original · directed by Sam Wanamaker | 446 perf. |
| 1948 | The Men We Marry Mansfield Theatre · Original · directed by Martin Manulis | 3 perf. |
| 1949 | Love Me Long 48th Street Theatre · Original · directed by Margaret Perry | 16 perf. |
| 1950 | Come Back, Little Sheba Booth Theatre · Original · directed by Daniel Mann | 191 perf. |
| 1951 | A Tree Grows in Brooklyn Alvin Theatre · Original · directed by George Abbott | 270 perf. |
| 1951 | A Tree Grows in Brooklyn “A New Musical” Alvin Theatre · Original · directed by George Abbott | 270 perf. |
| 1952 | The Time of the Cuckoo Empire Theatre · Original · directed by Harold Clurman | 263 perf. |
| 1954 | By the Beautiful Sea Majestic Theatre · Original · directed by Marshall Jamison | 268 perf. |
| 1954 | By the Beautiful Sea “The New Musical” Majestic Theatre · Original · directed by Marshall Jamison | 270 perf. |
| 1955 | The Desk Set Broadhurst Theatre · Original · directed by Joseph Fields | 297 perf. |
| 1957 | Miss Isobel Royale Theatre · Original · directed by Cedric Hardwicke | 53 perf. |
| 1959 | Juno Winter Garden Theatre · Original · directed by Jose Ferrer | 16 perf. |
| 1960 | A Second String Eugene Oneill Theatre · Original · directed by Raymond Gerome | 29 perf. |
| 1970 | Hay Fever Helen Hayes Theatre · Revival · directed by Arvin Brown | 24 perf. |
| 1970 | Look to the Lilies Lunt-Fontanne Theatre · Original · directed by Joshua Logan | 25 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Frank Seabolt | 4 productions |
| Daniel Reed | 3 productions |
| William Carson | 2 productions |
| Wilbur Evans | 2 productions |
| Warde Donovan | 2 productions |
| Victor Reilley | 2 productions |
| Val Buttignol | 2 productions |
| Thomas Mcquillan | 2 productions |
| Thomas Gleason | 2 productions |
| Theodore Newton | 2 productions |
| Terry Castagna | 2 productions |
| Suzanne Easter | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 6 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature8 passages
- Act One: “Payday” (Company); “Mine Til’ Monday” (Johnny Johnston, Dody Heath, Company); “Mine Til’ Monday” (reprise) (Jordan Bentley, Dody Heath, Lou Wills Jr., Joe Calvan, Billy Parsons); “Make the Man Love Me” (Marcia Van Dyke, Johnny Johnston); “I’m Like a New Broom” (Johnny Johnston, Friends); “I’m Like a New Broom” (reprise) (Johnny…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act Two: “That’s How It Goes” (Harland Dixon, Patti Milligan, Janet Parker, Company); “He Had Refinement” (Shirley Booth); “Growing Pains” (Johnny Johnston, Nomi Mitty); “Is That My Prince?” (Shirley Booth, Albert Linville); “Halloween” (dance) (Johnny Johnston, Lou Wills Jr., Joe Calvan, Billy Parsons, Children, Singers, Dancers); “Don’t…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act One: “Mona from Arizona” (John Dennis, Reid Shelton, Ray Hyson, Larry Laurence); “The Sea Song” (Shirley Booth, Boarders, Neighbors); “Old Enough to Love” (Richard France); “Coney Island Boat” (sung in counterpoint with popular 1902 standard “In the Good Old Summertime,” lyric by Ren Shields and music by George Evans) (Shirley Booth,…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act Two: “Hang Up” (Mae Barnes, Boarders, Neighbors); “Alone Too Long” (reprise) (Shirley Booth); “More Love Than Your Love” (Wilbur Evans); “Vaudeville” (includes three acts: [1] The Three Clowns; [2] A Lady in Red; and [3] Butterfly Wings) (Various cast members); “Lottie Gibson’s Specialty” (Shirley Booth); “Throw the Anchor Away” (Larr…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- The absence of plot resulted in a revue-like musical in which Shirley Booth acted as tour guide for the pleasures to be found in turn-of-the-century Coney Island, including beer-garden quartets, acrobats, a visit to the Old Mill’s tunnel-of-love-cum-spook-house (replete with luminous flying skeletons and monsters), a Fourth of July celebr…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- The other critics weren’t quite as enthusiastic as Atkinson, but all found things to like in the new musical, and they tossed bouquets at Shirley Booth. John Chapman in the Daily News praised the score (“a lusty Coney racket”) and singled out the evening’s two musical highlights (both performed by the “perfect entertainer” Booth), one the…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.