On stage 4 productions, 8 years
| 1943 | One Touch of Venus Imperial Theatre · Original · directed by Elia Kazan | 567 perf. |
| 1944 | On the Town Adelphi Theatre · Original · directed by George Abbott | 463 perf. |
| 1948 | Ballet Ballads Maxine Elliotts Theatre · Original · directed by Mary Hunter | 69 perf. |
| 1951 | Peer Gynt Anta Playhouse · Revival · directed by Lee Strasberg | 32 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Welland Lathrop | 2 productions |
| Ray Harrison | 2 productions |
| Pearl Lang | 2 productions |
| Parker Wilson | 2 productions |
| Nelle Fisher | 2 productions |
| Marion Kohler | 2 productions |
| Lavina Nielsen | 2 productions |
| Johnny Stearns | 2 productions |
| Jean Houloose | 2 productions |
| Frank Westbrook | 2 productions |
| Duncan Noble | 2 productions |
| Barbara Gaye | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 9 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature8 passages
- First performance: 13 December 1944, Boston, Colonial Theatre, cast incl. Betty Comden (Claire DeLoone), Nancy Walker (Hildy Esterhazy), Sono Osato (Ivy Smith), Adolph Green (Ozzie), Cris Alexander (Chip), John Battles (Gabey); Jerome Robbins (choreo.), George Abbott (dir.), Max Goberman (cond.)ebooks/Bernstein, Leonard/Leonard Bernstein Letters, The - Leonard Bernstein.txt
- Dedication: none, but the Three Dance Episodes from “On the Town” are dedicated to Sono Osato (I), Betty Comden (II) and Nancy Walker (III)ebooks/Bernstein, Leonard/Leonard Bernstein Letters, The - Leonard Bernstein.txt
- Cast: Sono Osato, Nancy Walker, Betty Comden, Adolph Green, John Battles, Cris Alexander, Alice Pearce, Allyn Ann McLerieebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- In putting his own expectations and contribution in perspective, Kazan singled out the factors he considered primarily responsible for the show’s appeal. Apart from Weill and his music, he drew particular attention to three women he describes as “marvelous” and “extraordinary”: Mary Martin, Agnes de Mille, and the dancer Sono Osato. “I wa…ebooks/Hinton, Stephen/Weill's Musical Theater_ Stages of Reform - Stephen Hinton.txt
- The first time I saw him without Randall was at Gene and Betsy Kelly's house on Rodeo Drive. I had met the Kellys through Sono Osato before she left town. Farley became the main reason I continued to go there. A Kelly regular, he had been brought into the group by a boyfriend whom he had dumped for Randall whom I wanted him to dump for me…ebooks/Laurents, Arthur/Original Story By_ A Memoir of Broadway and Hollywood - Arthur Laurents.txt
- Gabey (John Battles) is our hero, smitten with a photograph of Miss Turnstiles (Sono Osato). He and his two pals (Adolph Green, Cris Alexander) break up to search for her, and Gabey succeeds. He and Miss Turnstiles agree to meet later, but Madame Dilly wrecks it, even as Gabey’s chums have picked up their dates, an anthropologist (Betty C…ebooks/Mordden, Ethan/Anything Goes_ A History of American Musical Theatre - Ethan Mordden.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.