On stage 18 productions, 16 years
| 1919 | The Rose of China Lyric Theatre · Original · directed by Robert Milton | 47 perf. |
| 1920 | Sally New Amsterdam Theatre · Original · directed by Edward Royce | 570 perf. |
| 1923 | Elsie Vanderbilt Theatre · Original · directed by Edgar MacGregor | 40 perf. |
| 1923 | Mary Jane McKane Imperial Theatre · Original · directed by Alonzo Price | 151 perf. |
| 1924 | Bye, Bye, Barbara National Theatre · Original | 16 perf. |
| 1924 | Her Way Out Gaiety Theatre · Original · directed by Walter Wilson | 24 perf. |
| 1925 | The Bride Retires National Theatre · Original | 145 perf. |
| 1929 | Boom Boom Casino Theatre · Original · directed by George Marion | 72 perf. |
| 1930 | Made in France Cort Theatre · Original · directed by Dickson Morgan | 5 perf. |
| 1930 | Nancy's Private Affair Vanderbilt Theatre · Original | 136 perf. |
| 1932 | Dangerous Corner Empire Theatre · Original · directed by Elsa Lazareff | 206 perf. |
| 1932 | The Inside Story National Theatre · Original · directed by A.H. Van Buren | 24 perf. |
| 1933 | American Dream Guild Theatre · Original · directed by Philip Moeller | 39 perf. |
| 1933 | Mary of Scotland Alvin Theatre · Original · directed by Theresa Helburn | 248 perf. |
| 1933 | The Mask and the Face Guild Theatre · Revival · directed by Philip Moeller | 40 perf. |
| 1934 | Days Without End Henry Millers Theatre · Original · directed by Philip Moeller | 57 perf. |
| 1934 | Valley Forge Guild Theatre · Original · directed by Herbert J. Biberman | 58 perf. |
| 1935 | First Lady Music Box Theatre · Original | 246 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Wilton Graff | 2 productions |
| Philip Merivale | 2 productions |
| Philip Foster | 2 productions |
| Neida Snow | 2 productions |
| Mary Hay | 2 productions |
| Manart Kippen | 2 productions |
| Jock Mcgraw | 2 productions |
| Hobart Cavanaugh | 2 productions |
| Harland Tucker | 2 productions |
| George Coulouris | 2 productions |
| Frank McIntyre | 2 productions |
| Ethel Intropidi | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 9 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature4 passages
- Cast: Marilyn Miller, Leon Errol, Walter Catlett, Irving Fisher, Mary Hay, Stanley Ridges, Doloresebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- (Above) Days Without End, with Earl Larimore, Selena Royle, and Stanley Ridges (standing). New York, Henry Miller Theatre, 1934. [Photograph by Vandamm. Theatre Collection, The New York Public Library at Lincoln Center, Astor, Lenox and Tilden Foundations]theatre-pdfs/McGraw-Hill Encyclopedia of World Drama, v. 4 (O-S).txt
- Published October 1927. Introduced by Adele Astaire (Frankie) and Allen Kearns (Peter). (During most of the tryout, Peter was played by Stanley Ridges.) Introduced in London by Adele Astaire and Bernard Clifton.theatre-pdfs/The Complete Lyrics of Ira Gershwin - Gershwin, Ira, 1896-1983.txt
- HOW LONG HAS THIS BEEN GOING ON? Published October 1927. Introduced by Stanley Ridges (the original Peter) and Adele Astaire (Frankie) duringtheatre-pdfs/The Complete Lyrics of Ira Gershwin - Gershwin, Ira, 1896-1983.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.