On stage 1 production
| 1959 | Take Me Along Shubert Theatre · Original · directed by Peter Glenville | 448 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
In the literature3 passages
- Act One: “The Parade” (Walter Pidgeon, Townspeople); “Oh, Please” (Walter Pidgeon, Una Merkel, Eileen Herlie, Family); “I Would Die” (Susan Luckey, Robert Morse); “Sid, Ol’ Kid” (Jackie Gleason, Townspeople); “Staying Young” (Walter Pidgeon); “I Get Embarrassed” (Jackie Gleason, Eileen Herlie); “We’re Home” (Eileen Herlie); “Take Me Along…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act Two: “The Beardsley Ballet” (Robert Morse, Susan Luckey, Charles Bolender, Rae McLean, Paula Lloyd, Ensemble); “Oh, Please” (reprise) (Walter Pidgeon, Una Merkel); “Promise Me a Rose” (Eileen Herlie, Jackie Gleason); “Staying Young” (reprise) (Walter Pidgeon); “Little Green Snake” (Jackie Gleason); “Nine O’Clock” (Robert Morse); “But…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Cast: Jackie Gleason, Walter Pidgeon, Eileen Herlie, Robert Morse, Una Merkel, Peter Conlow, Susan Luckey, Valerie Harperebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.