On stage 35 productions, 46 years
| 1900 | Dangerous Women Star Theatre · Original | |
| 1900 | Hamlet Garden Theatre · Revival · directed by Fred Williams | 16 perf. |
| 1900 | Sapho Wallacks Theatre · Original | 29 perf. |
| 1902 | Hon. John Grigsby Manhattan Theatre · Original · directed by Frank Keenan | 27 perf. |
| 1904 | Ranson's Folly Hudson Theatre · Original | 61 perf. |
| 1907 | A Grand Army Man Stuyvesant Theatre · Original | 149 perf. |
| 1909 | The Midnight Sons Broadway Theatre · Original | 257 perf. |
| 1910 | The Commuters Criterion Theatre · Original | 160 perf. |
| 1911 | Hell / Temptations / Gaby Folies Bergere · Original · directed by George Marion | 92 perf. |
| 1911 | The Million 39th Street Theatre · Original · directed by Richard Pittman | 126 perf. |
| 1913 | Somewhere Else Broadway Theatre · Original · directed by Frank Smithson | 8 perf. |
| 1914 | The Third Party 39th Street Theatre · Original | 104 perf. |
| 1915 | Mr. Myd's Mystery Comedy Theatre · Original | 16 perf. |
| 1916 | His Majesty Bunker Bean Astor Theatre · Original | 72 perf. |
| 1920 | Crooked Gamblers Hudson Theatre · Original · directed by Robert Milton | 82 perf. |
| 1921 | Smooth as Silk Lexington Theatre · Original | 50 perf. |
| 1922 | The Hotel Mouse Shubert Theatre · Original · directed by John Harwood | 88 perf. |
| 1923 | Not So Fast Morosco Theatre · Original · directed by Leon Gordon | 31 perf. |
| 1926 | Happy-Go-Lucky Liberty Theatre · Revival · directed by Fred G. Latham | 52 perf. |
| 1928 | The Great Necker Ambassador Theatre · Original · directed by J. Fred Butler | 39 perf. |
| 1931 | Cold in Sables Cort Theatre · Original | 15 perf. |
| 1931 | Joy of Living Theatre Masque · Original · directed by Harry Butler | 16 perf. |
| 1932 | New York to Cherbourg Forrest Theatre · Original | 3 perf. |
| 1932 | Radio City Music Hall Inaugural Program Radio City Music Hall · Original · directed by Leon Leonidoff | 1 perf. |
| 1932 | That's Gratitude Waldorf Theatre · Revival · directed by Robert Burton | 204 perf. |
| 1933 | Riddle Me This Hudson Theatre · Revival · directed by Robert Burton | 70 perf. |
| 1934 | Say When Imperial Theatre · Revival · directed by Bertram Harrison | 76 perf. |
| 1935 | It's You I Want Cort Theatre · Original · directed by Joshua Logan | 15 perf. |
| 1937 | I’d Rather Be Right Alvin Theatre · Original · directed by George S. Kaufman | 290 perf. |
| 1941 | Boudoir John Golden Theatre · Original | 11 perf. |
| 1941 | First Stop to Heaven Windsor Theatre · Original · directed by Robert Henderson | 8 perf. |
| 1942 | Vickie Plymouth Theatre · Original · directed by José Ferrer | 48 perf. |
| 1942 | What Big Ears! Windsor Theatre · Original · directed by Arthur Pierson | 8 perf. |
| 1945 | Marinka Winter Garden Theatre · Original · directed by Hassard Short | 165 perf. |
| 1946 | Woman Bites Dog Belasco Theatre · Original · directed by Coby Ruskin | 5 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| George Lyman | 3 productions |
| Warren Ashe | 2 productions |
| Margaret Sande | 2 productions |
| Louis Brown | 2 productions |
| Leonard Outram | 2 productions |
| Jack Leslie | 2 productions |
| Howard Hall | 2 productions |
| Harry C Power | 2 productions |
| Gerald Kent | 2 productions |
| Cora Witherspoon | 2 productions |
| Clara Louise Moores | 2 productions |
| Belford Forrest | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 12 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature5 passages
- Cast: George M. Cohan, Taylor Holmes, Joy Hodges, Austin Marshall, Marion Green, Mary Jane Walshebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Kane, “Trilby” with Phyllis Neilson-Terry, Wilton Lackaye, Leo Ditrichstein, Rose Coghlan, Burr McIntosh and Taylor Holmes; “A Celebrated Case” with Nat C. Goodwin, Otis Skinner, Florence Reed, Robert Warwick, Helen Ware, Eugene O’Brien and Ann Murdock, and Maude Adams in “Peter Pan” with Ruththeatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- ROSE COGHLAN, TAYLOR HOLMES, PHYLLIS NEILSON-TERRY, LEO DITRICHSTEIN, GEORGE MacFARLANE, BURR McINTOSH, BRANDON TYNAN, WILTON LACKAYE in ‘’TRILBY”’theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- Wetona,” Taylor Holmes in “His Majesty Bunker Bean” and Patricia Collinge in “Pollyanna.” “The Melody of Youth” was played by Lily Cahill, Eva Le Gallienne and Brandon Tynan, “A King of Nowhere” by Lou Tellegen and Olive Tell, “Rio Grande” by Richard Bennett and Lola Fisher, “Please Help Emily” bytheatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- Walsh, Florenz Ames, Taylor Holmes and Joseph Macaulay A Homogeneous Cabinet Have You Met Miss Jones? Take and Take and Take Spring in Vienna A Little Bit of Constitutional Fun Edgar Connor, Harry Langdon, A1 Jolson and Madge Evans in Hallelujah, I'm a Bumtheatre-pdfs/Thou Swell Thou Witty-The Life and Lyrics of Lorenz Hart - Hart, Dorothy.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.