Also credited on3 works
Madame Sherry
Finian’s Rainbow
Leave It to Jane
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature3 passages
- The fourth longest running book musical of the 1910’s, The Blue Paradise gave Sigmund Romberg his first chance to compose the kind of sentimental, romantic songs with which he would become identified. (His total Broadway output — including shows for which he shared the writing assignment — was a record 57 productions.) Adapted from Ein Ta…ebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- The Blue Paradise. Ted Lorraine and Vivienne Segal come to the aid of Teddy Webb, who has apparently bitten off more than he can swallow. (White)ebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Of these assignments, the adaptations had the strongest impact on Romberg’s future musical development. The three most important of them were The Blue Paradise (1915), a version of Edmund Eysler’s Ein Tag im Paradis ; Maytime (1917), based on Walter Kollo’s Wie einst im Mai ; and Blossom Time (1921), a fictionalised account of the life of…ebooks/Music, The Cambridge Companion To The Musical Cambridge Companions To/Cambridge Companion to the Musical (Cambridge Companions to Music), The - The Cambridge Companion To The Musical Cambridge Companions To Music.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any staging. This name appears in no production cast list we hold — 1,877 of 7,139 people are in that position, most of them writers, composers and designers rather than performers.
- Birth or death year. Neither is on the record.
- Any biography.
- Which of the credits above the roles on this record — composer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.