The Threepenny Opera. Theatre Register

Also credited on2 works

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

“I don’t feel at all linked to the tradition of the Viennese, German or French operetta”, he explained to me. “But I did like the Threepenny Opera of Brecht and Weill and most of their other works, and I may have been influenced by them.”ebooks/Atkey, Mel/Million Miles from Broadway_ Musical Theatre Beyond New York and London, A - Mel Atkey.txt
11 Blitzstein was clearly already at work in 1950 on his English version of The Threepenny Opera . Bernstein conducted the first performance of this in 1952 at Brandeis University in Walthau, Massachusetts, with Lotte Lenya leading the cast and Blitzstein providing narrations.ebooks/Bernstein, Leonard/Leonard Bernstein Letters, The - Leonard Bernstein.txt
In its English translation by Blitzstein, Die Dreigroschenoper has demonstrated its durability in the American musical theater repertory as The Threepenny Opera . Of the works originally composed for American audiences perhaps only Street Scene (1947), a modest success in its own time with 148 performances, and the comparably successful K…ebooks/Block, Geoffrey/Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block.txt
———. “The Threepenny Opera in America.” In Kurt Weill: “The Threepenny Opera , ed. Stephen Hinton, 78–120. Cambridge: Cambridge University Press, 1990.ebooks/Block, Geoffrey/Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block.txt
The Threepenny Opera (Brecht and Weill), 112, 131, 132, 137, 142, 143, 144, 147, W95n12ebooks/Block, Geoffrey/Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block.txt
2 . Martin Esslin, Reflections: Essays on Modern Theatre (Garden City, N.Y.: Doubleday, 1969), 80. As late as the 1990s, the Kurt Weill Foundation, still considered the Blitzstein version the only singable version of this work in English. After the 1976 Lincoln Center revival, the Foundation no longer permitted Ralph Manheim’s and John Wi…ebooks/Block, Geoffrey/Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

What this person played. No cast list we hold records a character against a performer.
Any staging. This name appears in no production cast list we hold — 1,877 of 7,139 people are in that position, most of them writers, composers and designers rather than performers.
Birth or death year. Neither is on the record.
Any biography.
Which of the credits above the roles on this record — composer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.