On stage 16 productions, 44 years
| 1916 | Under Sentence Harris Theatre · Original | 55 perf. |
| 1918 | Crops and Croppers Belmont Theatre · Original | 20 perf. |
| 1918 | Redemption Plymouth Theatre · Original | 204 perf. |
| 1921 | Kiki Belasco Theatre · Original · directed by Walter Brooks | 600 perf. |
| 1921 | The Playboy of the Western World Bramhall Playhouse · Revival | |
| 1926 | The Wisdom Tooth Little Theatre · Original · directed by Winchell Smith | 160 perf. |
| 1927 | Blood Money Hudson Theatre · Original · directed by Ira Hards | 64 perf. |
| 1927 | Nightstick Selwyn Theatre · Original | 84 perf. |
| 1932 | Clear All Wires Times Square Theatre · Original | 93 perf. |
| 1932 | Riddle Me This John Golden Theatre · Original · directed by Frank Craven | 100 perf. |
| 1941 | Crazy With the Heat 44th Street Theatre · Original · directed by Edward Clarke Lilley | 7 perf. |
| 1947 | An Inspector Calls Booth Theatre · Original · directed by Cedric Hardwicke | 95 perf. |
| 1949 | Death of a Salesman Morosco Theatre · Original · directed by Elia Kazan | 742 perf. |
| 1949 | The Biggest Thief in Town Mansfield Theatre · Original · directed by Herman Shumlin | 13 perf. |
| 1953 | Hazel Flagg Mark Hellinger Theatre · Original · directed by David Alexander | 190 perf. |
| 1960 | Cut of the Axe Ambassador Theatre · Original · directed by John O'Shaughnessy | 2 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once4 names
| Charles Kennedy | 3 productions |
| Kate Mccomb | 2 productions |
| Helen Westley | 2 productions |
| Charles Laite | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 4 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- Besides Gallagher, the critics adored Thomas Mitchell as Hazel’s doctor, and despite a completely non-singing and -dancing role, he won the Tony Award for Best Featured Actor in a Musical (his two duets with Hazel were dropped during the tryout). And Jack Whiting walked away with critical valentines for Styne’s best song, the satiric “Eve…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Tony Awards : Best Featured Actor in a Musical (Thomas Mitchell ); Best Costumes (Miles White )ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- PAUL LIBIN: I was a young man growing up in Chicago when I saw Death of a Salesman in a touring company with Thomas Mitchell, and I’ve had a passion for it ever since. That was when I said to myself, “I want to be an actor.” The play went right to my heart.ebooks/Frommer, Myrna Katz & Frommer, Harvey/It Happened on Broadway_ An Oral History of the Great White Way - Myrna Katz Frommer & Harvey Frommer.txt
- After the play I saw Thomas Mitchell walking down the stage-door alley of the Erlanger Theater with his hat tucked down over his head, and I was stunned. “My god,” I said, “Willy Loman is alive!”ebooks/Frommer, Myrna Katz & Frommer, Harvey/It Happened on Broadway_ An Oral History of the Great White Way - Myrna Katz Frommer & Harvey Frommer.txt
- The show received mixed reviews, with praise for Gallagher, Robert Alton’s dances, Thomas Mitchell in a nonsinging lead, and veteran Jack Whiting’s comeback as the mayor of New York, singing the show’s hit, “Every Street’s a Boulevard.” But business was slow, and after five months the show suspended its run, having recouped half of its $2…ebooks/Mandelbaum, Ken/Not Since Carrie_ Forty Years of Broadway Musical Flops - Ken Mandelbaum.txt
- Thomas Mitchell and Rene Ray in An Inspector Calls. New York, Booth Theatre, 1947. [Photograph by Vandamm. Theatre Collection, The New York Public Library at Lincoln Center, Astor, Lenox and Tilden Foundations]theatre-pdfs/McGraw-Hill Encyclopedia of World Drama, v. 4 (O-S).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — director — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.