Theatre Register

Thomas Mitchell

Shows · Thomas Mitchell

Director 1892–1962 On stage 19161960

Thomas John Mitchell (Irish: Tomás Séan Mistéal; July 11, 1892 – December 17, 1962) was an American actor, writer, and theatre director. He is considered one of the great character actors of Golden Age of Hollywood and a leading man on Broadway. He appeared in over 115 film and television roles between 1923 and 1961, along with numerous stage appearances. Among Mitchell's most famous film roles in a long career are those of Scarlett O'Hara's father Gerald O'Hara in Gone with the Wind, alcoholic Doc Boone in Stagecoach (1939), Pat Garrett in The Outlaw, and Mayor Jonas Henderson in High Noon. He won the Academy Award for Best Supporting Actor for his performance in Stagecoach. He is probably…

On stage 16 productions, 44 years

1916 Under Sentence Harris Theatre · Original 55 perf.
1918 Crops and Croppers Belmont Theatre · Original 20 perf.
1918 Redemption Plymouth Theatre · Original 204 perf.
1921 Kiki Belasco Theatre · Original · directed by Walter Brooks 600 perf.
1921 The Playboy of the Western World Bramhall Playhouse · Revival
1926 The Wisdom Tooth Little Theatre · Original · directed by Winchell Smith 160 perf.
1927 Blood Money Hudson Theatre · Original · directed by Ira Hards 64 perf.
1927 Nightstick Selwyn Theatre · Original 84 perf.
1932 Clear All Wires Times Square Theatre · Original 93 perf.
1932 Riddle Me This John Golden Theatre · Original · directed by Frank Craven 100 perf.
1941 Crazy With the Heat 44th Street Theatre · Original · directed by Edward Clarke Lilley 7 perf.
1947 An Inspector Calls Booth Theatre · Original · directed by Cedric Hardwicke 95 perf.
1949 Death of a Salesman Morosco Theatre · Original · directed by Elia Kazan 742 perf.
1949 The Biggest Thief in Town Mansfield Theatre · Original · directed by Herman Shumlin 13 perf.
1953 Hazel Flagg Mark Hellinger Theatre · Original · directed by David Alexander 190 perf.
1960 Cut of the Axe Ambassador Theatre · Original · directed by John O'Shaughnessy 2 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once4 names

Charles Kennedy 3 productions
Kate Mccomb 2 productions
Helen Westley 2 productions
Charles Laite 2 productions

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 4 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

Also credited on1 work

At Home Abroad

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

  • Besides Gallagher, the critics adored Thomas Mitchell as Hazel’s doctor, and despite a completely non-singing and -dancing role, he won the Tony Award for Best Featured Actor in a Musical (his two duets with Hazel were dropped during the tryout). And Jack Whiting walked away with critical valentines for Styne’s best song, the satiric “Eve…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • Tony Awards : Best Featured Actor in a Musical (Thomas Mitchell ); Best Costumes (Miles White )ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • PAUL LIBIN: I was a young man growing up in Chicago when I saw Death of a Salesman in a touring company with Thomas Mitchell, and I’ve had a passion for it ever since. That was when I said to myself, “I want to be an actor.” The play went right to my heart.ebooks/Frommer, Myrna Katz & Frommer, Harvey/It Happened on Broadway_ An Oral History of the Great White Way - Myrna Katz Frommer & Harvey Frommer.txt
  • After the play I saw Thomas Mitchell walking down the stage-door alley of the Erlanger Theater with his hat tucked down over his head, and I was stunned. “My god,” I said, “Willy Loman is alive!”ebooks/Frommer, Myrna Katz & Frommer, Harvey/It Happened on Broadway_ An Oral History of the Great White Way - Myrna Katz Frommer & Harvey Frommer.txt
  • The show received mixed reviews, with praise for Gallagher, Robert Alton’s dances, Thomas Mitchell in a nonsinging lead, and veteran Jack Whiting’s comeback as the mayor of New York, singing the show’s hit, “Every Street’s a Boulevard.” But business was slow, and after five months the show suspended its run, having recouped half of its $2…ebooks/Mandelbaum, Ken/Not Since Carrie_ Forty Years of Broadway Musical Flops - Ken Mandelbaum.txt
  • Thomas Mitchell and Rene Ray in An Inspector Calls. New York, Booth Theatre, 1947. [Photograph by Vandamm. Theatre Collection, The New York Public Library at Lincoln Center, Astor, Lenox and Tilden Foundations]theatre-pdfs/McGraw-Hill Encyclopedia of World Drama, v. 4 (O-S).txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Which of the credits above the roles on this record — director — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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