On stage 24 productions, 30 years
| 1904 | Mrs. Wiggs of the Cabbage Patch Savoy Theatre · Original · directed by Oscar Eagle | 150 perf. |
| 1908 | Wildfire Liberty Theatre · Original | 64 perf. |
| 1914 | The Only Girl 39th Street Theatre · Original · directed by Fred G. Latham | 240 perf. |
| 1917 | Have a Heart Liberty Theatre · Original · directed by Edward Royce | 76 perf. |
| 1919 | Civilian Clothes Morosco Theatre · Original · directed by Frank Underwood | 150 perf. |
| 1921 | Mary Stuart / A Man About Town Ritz Theatre · Original | 40 perf. |
| 1922 | The French Doll Lyceum Theatre · Original · directed by W. H. Gilmore | 120 perf. |
| 1926 | Buy, Buy, Baby Princess Theatre · Original | 12 perf. |
| 1926 | Still Waters Henry Millers Theatre · Original | 16 perf. |
| 1927 | Behold the Bridegroom Cort Theatre · Original | 88 perf. |
| 1927 | Mixed Doubles Bijou Theatre · Original | 15 perf. |
| 1928 | Sign of the Leopard National Theatre · Original · directed by Campbell Gullan | 39 perf. |
| 1928 | The Common Sin Forrest Theatre · Original | 24 perf. |
| 1929 | Fifty Million Frenchmen Lyric Theatre · Original · directed by Monty Woolley | 254 perf. |
| 1929 | Security Maxine Elliotts Theatre · Original · directed by Stanley Logan | 24 perf. |
| 1930 | Everything's Jake Assembly Theatre · Original · directed by Walter Greenough | 76 perf. |
| 1931 | Philip Goes Forth Biltmore Theatre · Original | 97 perf. |
| 1932 | Chrysalis Martin Beck Theatre · Original | 23 perf. |
| 1932 | Mourning Becomes Electra Alvin Theatre · Revival · directed by Philip Moeller | 16 perf. |
| 1933 | Thoroughbred Vanderbilt Theatre · Revival | 25 perf. |
| 1934 | All Rights Reserved Ritz Theatre · Original · directed by Melville Burke | 31 perf. |
| 1934 | Re-Echo Forrest Theatre · Original | 5 perf. |
| 1934 | Spring Freshet Plymouth Theatre · Original | 12 perf. |
| 1934 | They Shall Not Die Royale Theatre · Original · directed by Philip Moeller | 62 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once9 names
| Kenneth Lawton | 3 productions |
| William Norton | 2 productions |
| Russell Thayer | 2 productions |
| Mary Gildea | 2 productions |
| Marjorie Gateson | 2 productions |
| Judith Anderson | 2 productions |
| Harry Ellerbe | 2 productions |
| Florence Reed | 2 productions |
| C Ellsworth Smith | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 8 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature2 passages
- Cast: William Gaxton, Genevieve Tobin, Helen Broderick, Betty Compton, Evelyn Hoey, Jack Thompson, Thurston Hallebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Thurston Hall in the cast. Denman Thompson, who made his first appearance in New York with “The Old Homestead” in 1887 and continued to play it at frequent intervals until his deaththeatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.