On stage 5 productions, 11 years
| 1996 | Chicago Richard Rodgers Theatre · Revival · directed by Walter Bobbie | 9,999 perf. |
| 1997 | 1776 Theatre not recorded · Revival | 333 perf. |
| 2000 | Dirty Blonde Helen Hayes Theatre · Original · directed by John Carrafa | 352 perf. |
| 2000 | Wrong Mountain Eugene Oneill Theatre · Original · directed by Richard Jones | 28 perf. |
| 2007 | Coram Boy Imperial Theatre · Original · directed by Melly Still | 30 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once2 names
| Kevin Chamberlin | 2 productions |
| Dashiell Eaves | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any biography.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.