Theatre Register

Tony Charmoli

Shows · Tony Charmoli

Choreographer 1921–2020 On stage 19471948

Tony Charmoli (June 11, 1921 – August 7, 2020) was an American dancer, choreographer, and director. He began dancing on Broadway in such shows as Make Mine Manhattan but soon began choreographing for television with Stop the Music in 1949. Charmoli then choreographed dance sequences for the popular Your Hit Parade, winning his first Emmy Award in 1956. He went on to direct and choreograph for some of the biggest stars including Dinah Shore, Lily Tomlin, Danny Kaye, Julie Andrews, Cyd Charisse, Shirley MacLaine, Mitzi Gaynor, Lucille Ball, and others. On Broadway, Tony choreographed Ankles Aweigh (1955) and Woman of the Year (1981) with Lauren Bacall. Over his career, he was nominated for fif…

On stage 3 productions, 1 years

1947 Dear Judas Mansfield Theatre · Original · directed by Esther Junger 17 perf.
1948 Love Life 46th Street Theatre · Original · directed by Elia Kazan 252 perf.
1948 Make Mine Manhattan Broadhurst Theatre · Original · directed by Hassard Short, Max Liebman 429 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Also credited on2 works

Ankles Aweigh
Woman of the Year

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature6 passages

  • Direction : Fred F. Finklehoffe; Producer : Anthony B. Farrell; Choreography : Tony Charmoli; Scenery and Lighting : George Jenkins; Costumes : Miles White; Musical Direction : Salvatore dell’Isolaebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • EBB: A number called “I Wrote the Book.” I don’t know why that was giving Tony Charmoli problems, but Tommy came and actually he staged it on me. I guess I walk like Bacall. I’m about as graceful as she is. It was less choreography than staging.ebooks/Lawrence, Greg/Colored Lights_ Forty Years of Words and Music, Show Biz, Collaboration, and All That Jazz - Greg Lawrence & John Kander & Fred Ebb.txt
  • KANDER: Tony Charmoli was the choreographer, and how they got to the point where they called Tommy in I don’t remember either. Tommy sort of comes in and out of our lives. I think we had met before but never worked together.ebooks/Lawrence, Greg/Colored Lights_ Forty Years of Words and Music, Show Biz, Collaboration, and All That Jazz - Greg Lawrence & John Kander & Fred Ebb.txt
  • directed by Robert Moore (doctored by Tommy Tune) choreographed by Tony Charmolitheatre-pdfs/More Opening Nights on Broadway - Steven Suskin.txt
  • SHIRLEY MacLAINE Directed and Staged by Tony Charmoli; Musical Director, Donn Trenner; Music either composed or arranged by Cy Coleman; Written by Fred Ebb; Additional Material, Bob Wells; Special Choreography, Alan Johnson; Lighting, Graham Large; Lighting Supervised by Richard Winkler; Special Costumes, Stanley Simmons; Sound, Mike Wels…theatre-pdfs/Theatre World/Theatre World, 1976-77 Season, v. 33 (Willis).txt
  • film by Ring Lardner, Jr., Michael Kanin; Music, John Kander; Lyrics, Fred Ebb; Director, Robert Moore; Musical Book, Peter Stone; Based on Staging, Tony Charmoli; Settings, Tony Walton; Costtimes, Theoni V. Aldredge; Lighting, Marilyn Rennagel; Sound, Abe Jacob; Musical Direction/Vocal Arrangements, Donald Pippin; Orchestrations, Michael…theatre-pdfs/Theatre World/Theatre World, 1981-82 Season, v. 38 (Willis).txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
  • Which of the credits above the roles on this record — choreographer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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