On stage 1 production
| 1977 | Comedy With Music Imperial Theatre · Original |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature3 passages
- During the course of the two-year run, Victor Borge chose a number of selections for his program, including the following:ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Danish-born Victor Borge specialized in comic confrontations with his piano. His first Broadway appearance was in the revised edition of the revue Crazy with the Heat , which opened on January 14, 1941, at the 44th Street Theatre. It closed quickly, but then soon reopened on January 30 for a total run of 99 performances. After his long ru…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- il Baker, Victor Borge, Czechoslovakia’s Laterna Magika, Israel’s Habimah, Piraikon Theatron, Italy’s “Rugantino,” D’Oyly Carte, National Repertory Theatre, Anna Russell, Thédtre de France, Antonio’s Ballets detheatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — composer, director — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.