William Gibson

On stage 1 production

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Also credited on2 works

Golden Boy
Raggedy Ann

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

• William Gibson’s intimate, two-character play Two For the Seesaw, which was adapted into a rather glitzy, dancey musical by Michael Bennett, necessarily added new cast members, friends of the couple and a chorus of dancers. And even though the two principals were given thirteen of the sixteen songs in the score, they frequently were joine…ebooks/Citron, Stephen/Musical From the Inside Out, The - Stephen Citron.txt
• Now he was part of the Broadway elite and was often asked to help ailing shows. He took a long look at Michael Stewart’s adaptation of William Gibson’s Two for the Seesaw, which had been a 1958 two-character hit about an on-again, off-again relationship. (Hence the title.)ebooks/Filichia, Peter/B007L4OWCU EBOK - Peter Filichia.txt
• It had three white writers: librettist William Gibson, composer Charles Strouse, and lyricist Lee Adams. Gibson had taken over after his mentor Clifford Odets, adapting his own 1937 play, had died. In the afterword to his published script, Gibson gave credit to Golden Boy ’s star Sammy Davis, Jr., for bits and pieces of dialogue, and reve…ebooks/Filichia, Peter/Strippers, Showgirls, and Sharks - Peter Filichia.txt
• William Gibson met Clifford Odets in 1950, when the latter was organizing a playwrights' seminar at the Actors Studio. By 1953, Odets was a close friend to Gibson and his wife Margaret Brenman- Gibson (who later wrote Clifford Odets: American Playwright [1981]). William Gibson, like Odets, achieved notable success with his first two Broad…ebooks/Suskin, Steven/B001T4YWBO EBOK - Steven Suskin.txt
• "Memento" by William Gibson. Copyright (c) 1965 by William Gibson. Used by permission.ebooks/Suskin, Steven/B001T4YWBO EBOK - Steven Suskin.txt
• Music by Charles Strouse; lyrics by Lee Adams; book by Clifford Odets and William Gibson, based on Odets’ playebooks/Wright, Adrian/West End Broadway_ The Golden Age of the American Musical in London - Adrian Wright.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Birth or death year. Neither is on the record.
• Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
• Which of the credits above the roles on this record — book writer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.