On stage 18 productions, 28 years
| 1899 | Children of the Ghetto Herald Square Theatre · Original · directed by James A. Herne | 49 perf. |
| 1900 | In the Palace of the King Theatre Republic · Original · directed by William Seymour | 138 perf. |
| 1901 | Francesca da Rimini Victoria Theatre · Revival | 56 perf. |
| 1902 | A Country Girl Dalys Theatre · Original | 112 perf. |
| 1903 | Babes in Toyland Majestic Theatre · Original · directed by Julian Mitchell | 192 perf. |
| 1904 | The Cingalee Dalys Theatre · Original · directed by Lewis Hooper | 33 perf. |
| 1907 | Tom Jones Astor Theatre · Original | 65 perf. |
| 1908 | Father and Son Majestic Theatre · Original | 12 perf. |
| 1910 | The King of Cadonia Fifth Avenue Theatre · Original · directed by Joseph Herbert | 16 perf. |
| 1911 | When Sweet Sixteen Dalys Theatre · Original · directed by R.H. Burnside | 12 perf. |
| 1914 | The Laughing Husband Knickerbocker Theatre · Original · directed by Edward Royce | 48 perf. |
| 1915 | A Modern Eve Casino Theatre · Original | 56 perf. |
| 1915 | Around the Map New Amsterdam Theatre · Original · directed by Herbert Gresham | 104 perf. |
| 1917 | Maytime Shubert Theatre · Original · directed by Edward Temple | 492 perf. |
| 1920 | Kissing Time Lyric Theatre · Original · directed by Edward Royce | 65 perf. |
| 1925 | The Dove Empire Theatre · Original | 48 perf. |
| 1926 | White Wings Booth Theatre · Original | 27 perf. |
| 1927 | A Connecticut Yankee Vanderbilt Theatre · Original · directed by Alexander Leftwich | 418 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once11 names
| Melville Stewart | 3 productions |
| Susie Kelleher | 2 productions |
| Marcia van Dresser | 2 productions |
| Julia Millard | 2 productions |
| Josie Intropidi | 2 productions |
| Hazel Cox | 2 productions |
| Harold Vizard | 2 productions |
| Hallen Mostyn | 2 productions |
| Gertrude Norman | 2 productions |
| Genevieve Finlay | 2 productions |
| Blanche Deyo | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 10 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature4 passages
- Babes in Toyland. William Norris and Mabel Barrison, as the two babes, lead Mother Hubbard’s children in singing “I Can’t Do the Sum.” (Byron)ebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Cast: Peggy Wood, Charles Purcell, Ralph Herbert, William Norris, Gertrude Vanderbiltebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Cast: William Gaxton, Constance Carpenter, Nana Bryant, June Cochrane, William Norris, Jack Thompsonebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Pickford, William Norris, Ernest Truex and Lillian Gish; “Joseph and His Brethren,” a Biblical spectacle, with Paul-theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any biography.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.