Theatre Register

William Olvis

Shows · William Olvis

Actor 1958–2014 On stage 19521956

William Patrick Olvis (December 23, 1957 – May 6, 2014) was an American composer for film and television. His most famous compositions were those for TV series Dr Quinn, Medicine Woman and Gabriel's Fire, then Pros and Cons. He began his professional career in 1988 composing the score for the ABC telefilm Evil in Clear River and went on to compose and work on the scores for many TV series and films including Kill Me Again, 29th Street, Red Rock West, Separate Lives and Steal Big Steal Little.

On stage 2 productions, 4 years

1952 My Darlin' Aida Winter Garden Theatre · Original · directed by Hanya Holm 89 perf.
1956 Candide Martin Beck Theatre · Revival · directed by Tyrone Guthrie 73 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

In the literature8 passages

  • Act One: Prelude and Opening; “My Darlin’ Aida” (William Olvis); “Love Is Trouble” (Dorothy Sarnoff, William Olvis); “Love Is Trouble” (reprise) (Elaine Malbin, Dorothy Sarnoff, William Olvis); “Me and Lee” (Kenneth Schon, William Wilderman, William Olvis, Elaine Malbin, Dorothy Sarnoff, Company); “Me and Lee” (reprise) (Men); “March on f…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • Act Two: “Spiritual” (Choir); “I Want to Pray” (Dorothy Sarnoff); “Alone” (Elaine Malbin); “Three Stones to Stand On” (Elaine Malbin, William Dillard); “You’re False” (Elaine Malbin, William Dillard); “There’ll Have to Be Changes Made” (Elaine Malbin, William Olvis); “Away” (Elaine Malbin, William Olvis); “Land of Mine” (Elaine Malbin, Wi…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • Act One: Overture (Orchestra); “The Best of All Possible Worlds” (Max Adrian, Chorus); “Oh, Happy We” (Robert Rounseville, Barbara Cook); “It Must Be So” (Robert Rounseville); Lisbon Sequence (Maria Novotna, Robert Barry, Chorus); “It Must Be Me” (Robert Rounseville); “Mazurka” (danced by Party Guests); “Glitter and Be Gay” (Barbara Cook)…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • Act Two: “Quiet” (Barbara Cook, Irra Petina, William Olvis); “Eldorado” (Robert Rounseville); “Bon Voyage” (William Olvis, Chorus); “What’s the Use?” (Irra Petina, Norman Roland, William Chapman, Robert Mesrobian, Chorus); “Gavotte” (Max Adrian, Irra Petina, Barbara Cook, Robert Rounseville); “Make Our Garden Grow” (Company)ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • Cast : Jack Carter (Actor-Manager, Sgnarelle), Jayne Turner (Lucinda), Allen Case (Leander), Melville Cooper (Geronte), William Olvis (Horace), Susan Johnson (Jacqueline), Virginia Martin (Lizette), Rosemary O’Reilly (Fleurette), Michael Kermoyan (Lucas), Jack Bittner (Thibaut), James Tushar (Perrin), Billie Worth (Martina), Craig Timberl…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • Act One: “Moliere” (Jack Carter); “She’s Appealing, She’s Alluring” (William Olvis, Household); “I Would Love You Still” (Allen Case, Jayne Turner); “Bane of My Life” (Jack Carter, Billie Worth); “Aristotle” (Jack Carter); “I Am Your Man” (Jack Carter, William Olvis, Michael Kermoyan); “I Would Love You Still” (reprise) (Susan Johnson); “…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
  • Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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