Theatre Register

Falsettos, 1992

Shows · Falsettos · John Golden Theatre, 1992

We hold no picture of this staging. This one is filed against Falsettos and could document any of its runs. None
Original BroadwayJohn Golden Theatre 486 performances2 Tony Awards

The run closed June 27, 1993

Opened
April 29, 1992
Closed
June 27, 1993
Performances
486
Previews
Theatre
John Golden Theatre

Of the 368 productions we hold that opened in the 1990s and record a performance count, this is the 47th longest. That is a rank within what we hold, not within everything that was staged.

Other stagings of Falsettos 2 more that season

2016 Walter Kerr Theatre Revival · James Lapine 85 perf.
2020 Transfer Transfer

Who was in it16 named

Jason Graae
Sean Mcdermott
Sivan Cotel
Sal Viviano

12 of these 16 names have a person record behind them and link to one. The other 4 are set from the identifier in the cast list, which is a slug of the name — so hyphens and full stops are lost and a few come out wrong. We hold nothing else about them. Nobody here is matched to a character: the cast list records who was in the company and not what they played.

Characters7 roles recorded

Gregg Edelman Marvin
Gina Riley Trina
Peter Reardon Whizzer
Adam Heller Mendel
Ramzi Khalaf Jason
Valerie Bader Charlotte
Jessica Molaskey Cordelia

Only 512 of 13,459 productions carry role names, and these came out of a wiki table — the names arrived with the table's own cell markup on them and have been stripped back. They are not linked to person records because the identifiers in that table do not resolve to ours.

Creative team

Director
James Lapine
Producer
Barry and Fran Weissler

A producer is one string on this record, however many people or companies it names. Directors and choreographers are held both as text and as identifiers; where an identifier exists the name links to a page.

Tony Awards 2 from 7 nominations

Best Musical Nominated

Around this production

I'm bitching. He

Falsettos is actually two one-act musicals combined: March of the Falsettos (1981) and Falsettoland (1990).

In 1992 the Golden hosted an unusual musical: Falsettos, an amalgam of William Finn's and James Lapine's two earlier Off-Broadway musicals, March ofthe At This Theatre 100 Years of Broadway Shows Stories and Botto Louis Viagas Rober, p. 264

  • He took over the lead role in the long-running Pippin, won a Tony Award for his portrayal of Oscar in the 1986 revival of Sweet Charity, and led the cast as Marvin in Falsettos. Historical Dictionary of the Broadway Musical Volume 22 William A Everett Paul R, p. 342
  • My choice for Best of the Decade: the Off Broadway MARCH OF THE FALSETTOS [Finn: April 1, 1981].) Cole- man harkened back to his jazz background to create some incredibly liquid melodies, like Double Talk, Theme from “City of Angels,” What You Don’t Know about Women, and Ev’rybody’s Gotta Be Somewhere. Show Tunes the Songs Shows and Careers of Broadway S Suskin Steven Suskin Steven, p. 348
  • Following the success of the show’s sequel, MARCH OF THE FALSETTOS, a further revision of IN TROUSERS was produced by Roger Berlind and Gregory Harrision at the Promenade Theatre. Show Tunes the Songs Shows and Careers of Broadway S Suskin Steven Suskin Steven, p. 397
  • These two scores are exceptional and received due acclaim, but Finn has always veered toward non-mainstream material; more noncommercial than Sondheim, even. He has reached Broadway only once—not with a show intended for Broadway but with FALSETTOS [April 29, 1992], the combined version of the two aforementioned shows. Show Tunes the Songs Shows and Careers of Broadway S Suskin Steven Suskin Steven, p. 402
  • Falsettos, of sexual preference; and Hedwig, of gender. Showtime A History of the Broadway Musical Theatre Larry Stempel, p. 699

Passages naming this production, found by keyword across 178 books. Where it turns up in the literature, not curated notes about it.

What this page does not know

  • No photograph of this staging. 48 of 13,459 productions hold one.
  • No recording is held for Falsettos at all.
  • Reviews, box office, running order, understudies and designers: none of it is held for any production.

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