Theatre Register

How He Lied to Her Husband, 1905

Shows · Garrick Theatre, 1905

Revival BroadwayGarrick Theatre

The run closed September 23, 1905

Opened
September 18, 1905
Closed
September 23, 1905
Performances
Previews
Theatre
Garrick Theatre

No performance count on this record. 2,834 of 13,459 productions are missing one, so a blank here means unrecorded, not a short run.

The theatre record for this run is wrong

This is a New York theatre. The address is Manhattan and the former names are Broadway names, but the record is filed as West End and its coordinates, architect and history were taken from the London theatre of the same name. Every one of these names exists on both streets. Reported to broadway-data as issue #97.

Other stagings of How He Lied to Her Husband 3 more that season

1906 Lyric Theatre Revival 16 perf.
1907 Venue Name Unknown Revival
1916 Maxine Elliotts Theatre Revival

Who was in it6 named

Arnold Daly
Dodson Mitchell
Dorothy Revelle
John Findlay
Mary Hampton
Winchell Smith

0 of these 6 names have a person record behind them and link to one. The other 6 are set from the identifier in the cast list, which is a slug of the name — so hyphens and full stops are lost and a few come out wrong. We hold nothing else about them. Nobody here is matched to a character: the cast list records who was in the company and not what they played.

Creative team

Producer
Liebler & Co.

A producer is one string on this record, however many people or companies it names. Directors and choreographers are held both as text and as identifiers; where an identifier exists the name links to a page.

What this page does not know

  • No photograph of this staging. 48 of 13,459 productions hold one.
  • No character names. We can say who was in the company and not who they played.
  • No recording is held for How He Lied to Her Husband at all.
  • No performance count.
  • No director named.
  • No show page for How He Lied to Her Husband. The work is here as a title and a year, and nothing more has been gathered about it.
  • Reviews, box office, running order, understudies and designers: none of it is held for any production.

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