Theatre Register

Pygmalion, 1987

Shows · Plymouth Theatre, 1987

Revival BroadwayGerald Schoenfeld Theatre 113 performances

The run closed August 2, 1987

Opened
April 26, 1987
Closed
August 2, 1987
Performances
113
Previews
15
Theatre
Gerald Schoenfeld Theatre

Of the 465 productions we hold that opened in the 1980s and record a performance count, this is the 138th longest. That is a rank within what we hold, not within everything that was staged.

Other stagings of Pygmalion 6 more that season

1869 Waverley Theatre Original 10 perf.
1914 Park Theatre Revival 72 perf.
1926 Guild Theatre Revival · Dudley Digges 143 perf.
1938 Maxine Elliotts Theatre Revival 4 perf.
1945 Ethel Barrymore Theatre Revival · Cedric Hardwicke 179 perf.
2007 American Airlines Theatre Revival · David Grindley 69 perf.

Who was in it17 named

Dora Bryan
Lionel Jeffries
John Mills
Peter O Toole
Amanda Plummer
Joyce Redman
Osmond Bullock
Mary Peach
Kirstie Pooley
Ivar Brogger
Selena Carey Jones
Edward Conery
Robertson Dean
Wendy Makkena
Lucy Martin
Richard Neilson
Angela Thornton

0 of these 17 names have a person record behind them and link to one. The other 17 are set from the identifier in the cast list, which is a slug of the name — so hyphens and full stops are lost and a few come out wrong. We hold nothing else about them. Nobody here is matched to a character: the cast list records who was in the company and not what they played.

Creative team

Director
Val May
Producer
The Shubert Organization

A producer is one string on this record, however many people or companies it names. Directors and choreographers are held both as text and as identifiers; where an identifier exists the name links to a page.

What this page does not know

  • No photograph of this staging. 48 of 13,459 productions hold one.
  • No character names. We can say who was in the company and not who they played.
  • No recording is held for Pygmalion at all.
  • No show page for Pygmalion. The work is here as a title and a year, and nothing more has been gathered about it.
  • Reviews, box office, running order, understudies and designers: none of it is held for any production.

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