Theatre Register

The Crucible, 1972

Shows · Vivian Beaumont Theater, 1972

Revival BroadwayVivian Beaumont Theater 44 performances

The run closed June 3, 1972

Opened
April 27, 1972
Closed
June 3, 1972
Performances
44
Previews
13
Theatre
Vivian Beaumont Theater

Of the 589 productions we hold that opened in the 1970s and record a performance count, this is the 286th longest. That is a rank within what we hold, not within everything that was staged.

Other stagings of The Crucible 5 more that season

1953 Martin Beck Theatre Original · Jed Harris 197 perf.
1964 Belasco Theatre Revival · Jack Sydow 16 perf.
1991 Belasco Theatre Revival · Yossi Yzraely 31 perf.
2002 Virginia Theatre Revival · Richard Eyre 101 perf.
2016 Walter Kerr Theatre Revival · Ivo van Hove 125 perf.

Who was in it22 named

Crickett Coan
Kathleen Doyle
Stephen Elliott
Pauline Flanagan
Robert Foxworth
Richard Greene
Ben Hammer
Nora Heflin
Martha Henry
Richard Kline
Aline Macmahon
Stuart Pankin
Pamela Payton Wright
Robert Phalen
Wendell Phillips
Alexandra Stoddart
Sydney Walker
Mark Woods

4 of these 22 names have a person record behind them and link to one. The other 18 are set from the identifier in the cast list, which is a slug of the name — so hyphens and full stops are lost and a few come out wrong. We hold nothing else about them. Nobody here is matched to a character: the cast list records who was in the company and not what they played.

Creative team

Director
John Berry
Producer
Repertory Theatre of Lincoln Center (under the direction of Jules Irving and Robert Symonds)

A producer is one string on this record, however many people or companies it names. Directors and choreographers are held both as text and as identifiers; where an identifier exists the name links to a page.

What this page does not know

  • No photograph of this staging. 48 of 13,459 productions hold one.
  • No character names. We can say who was in the company and not who they played.
  • No recording is held for The Crucible at all.
  • No show page for The Crucible. The work is here as a title and a year, and nothing more has been gathered about it.
  • Reviews, box office, running order, understudies and designers: none of it is held for any production.

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