Theatre Register

The Importance of Being Earnest, 1895

Shows · Empire Theatre, 1895

Original BroadwayEmpire Theatre40 performances

The run dates incomplete

Opened
April 22, 1895
Closed
Performances
40
Previews
Theatre
Empire Theatre

Of the 147 productions we hold that opened in the 1890s and record a performance count, this is the 74th longest. That is a rank within what we hold, not within everything that was staged.

No closing date. 5,632 of 13,459 productions have none, and at this distance that means the ending was never recorded rather than that the run went on.

Other stagings of The Importance of Being Earnest 6 more that season

1902 Empire Theatre Revival 49 perf.
1921 Bramhall Playhouse Revival 44 perf.
1926 Comedy Theatre Revival · Dudley Digges 70 perf.
1947 Royale Theatre Revival 81 perf.
1977 Circle In The Square Theatre Revival · Stephen Porter 85 perf.
2011 American Airlines Theatre Revival · Brian Bedford 189 perf.

Who was in it9 named

Viola Allen
E y Backus
W H Crompton
William Faversham
Agnes Miller
Henry Miller
May Robson
Ida Vernon
W J Whitman

0 of these 9 names have a person record behind them and link to one. The other 9 are set from the identifier in the cast list, which is a slug of the name — so hyphens and full stops are lost and a few come out wrong. We hold nothing else about them. Nobody here is matched to a character: the cast list records who was in the company and not what they played.

Creative team

Producer
Charles Frohman

A producer is one string on this record, however many people or companies it names. Directors and choreographers are held both as text and as identifiers; where an identifier exists the name links to a page.

What this page does not know

  • No photograph of this staging. 48 of 13,459 productions hold one.
  • No character names. We can say who was in the company and not who they played.
  • No recording is held for The Importance of Being Earnest at all.
  • When it closed.
  • No director named.
  • No show page for The Importance of Being Earnest. The work is here as a title and a year, and nothing more has been gathered about it.
  • Reviews, box office, running order, understudies and designers: none of it is held for any production.

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