The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade, 1967

The run closed February 18, 1967

Opened

January 3, 1967

Closed

February 18, 1967

Performances

55

Previews

8

Theatre

Majestic Theatre

Of the 603 productions we hold that opened in the 1960s and record a performance count, this is the 261st longest. That is a rank within what we hold, not within everything that was staged.

Who was in it29 named

Jered Barclay
Fayne Blackburn
Peter Blaxill
Imogene Bliss
Verna Bloom
Beatrice Brooks
James Cahill
Barbara Cason
Madlyn Cates
Fay Chaiken
Leonard Drum
Stephen Elliott
Shellie Feldman
Sam Kirkham
Zola Long
Allan Louw
Christine Norden
Dennis Patrick
Helen Ross
Gerard Russak
Carol Teitel
John Toland
John Tormey
Edmond Varrato
Abe Vigoda
Douglas Watson
Geri Wolcott

2 of these 29 names have a person record behind them and link to one. The other 27 are set from the identifier in the cast list, which is a slug of the name — so hyphens and full stops are lost and a few come out wrong. We hold nothing else about them. Nobody here is matched to a character: the cast list records who was in the company and not what they played.

Creative team

Director

Donald Driver

Producer

Zev Bufman

A producer is one string on this record, however many people or companies it names. Directors and choreographers are held both as text and as identifiers; where an identifier exists the name links to a page.

What this page does not know

• No photograph of this staging. 48 of 13,459 productions hold one.
• No character names. We can say who was in the company and not who they played.
• No recording is held for The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade at all.
• No show page for The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade. The work is here as a title and a year, and nothing more has been gathered about it.
• Reviews, box office, running order, understudies and designers: none of it is held for any production.