Theatre Register

The Rose Tattoo, 1951

Shows · Martin Beck Theatre, 1951

Original BroadwayAl Hirschfeld Theatre 306 performances

The run closed October 27, 1951

Opened
February 3, 1951
Closed
October 27, 1951
Performances
306
Previews
Theatre
Al Hirschfeld Theatre

Of the 705 productions we hold that opened in the 1950s and record a performance count, this is the 98th longest. That is a rank within what we hold, not within everything that was staged.

Other stagings of The Rose Tattoo 3 more that season

1966 Billy Rose Theatre Revival · Milton Katselas 62 perf.
1995 Circle In The Square Theatre Revival · Robert Falls 73 perf.
2019 American Airlines Theatre Revival · Williamstown Theatre Festival (Mandy Greenfield, Artistic Director) 63 perf.

Who was in it24 named

Eli Wallach
Daisy Belmore
Robert Carricart
Andrew Duggan
Nancy Franklin
Jane Hoffman
Eddie Hyans
Dorrit Kelton
Phyllis Love
Augusta Merighi
Salvatore Mineo
Don Murray
Vivian Nathan
Judy Ratner
Rossana San Marco
Penny Santon
Sonia Sorel
David Stewart
Florence Sundstrom
Salvatore Taormina
Ludmilla Toretzka
Sybil Levenson

2 of these 24 names have a person record behind them and link to one. The other 22 are set from the identifier in the cast list, which is a slug of the name — so hyphens and full stops are lost and a few come out wrong. We hold nothing else about them. Nobody here is matched to a character: the cast list records who was in the company and not what they played.

Creative team

Director
Daniel Mann
Producer
Cheryl Crawford

A producer is one string on this record, however many people or companies it names. Directors and choreographers are held both as text and as identifiers; where an identifier exists the name links to a page.

What this page does not know

  • No photograph of this staging. 48 of 13,459 productions hold one.
  • No character names. We can say who was in the company and not who they played.
  • No recording is held for The Rose Tattoo at all.
  • No show page for The Rose Tattoo. The work is here as a title and a year, and nothing more has been gathered about it.
  • Reviews, box office, running order, understudies and designers: none of it is held for any production.

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