Theatre Register

The Wild Duck, 1918

Shows · Plymouth Theatre, 1918

Original BroadwayGerald Schoenfeld Theatre 32 performances

The run dates incomplete

Opened
March 11, 1918
Closed
Performances
32
Previews
Theatre
Gerald Schoenfeld Theatre

Of the 961 productions we hold that opened in the 1910s and record a performance count, this is the 606th longest. That is a rank within what we hold, not within everything that was staged.

No closing date. 5,632 of 13,459 productions have none, and at this distance that means the ending was never recorded rather than that the run went on.

Other stagings of The Wild Duck 4 more that season

1925 48th Street Theatre Revival · Dudley Digges 103 perf.
1928 49th Street Theatre Revival · Blanche Yurka 80 perf.
1951 City Center Revival · Morton DaCosta 15 perf.
1967 Lyceum Theatre Revival · Stephen Porter 45 perf.

Who was in it15 named

Lionel Atwill
St Clair Bayfield
Lyster Chambers
Edward Connelly
Frederick Gibbs
A O Huhn
Adelbert Knott
Norah Lamison
Harry Mestayer
Dodson Mitchell
Alla Nazimova
George Paige
Amy Veness
Walter C Wilson
J H Wright

0 of these 15 names have a person record behind them and link to one. The other 15 are set from the identifier in the cast list, which is a slug of the name — so hyphens and full stops are lost and a few come out wrong. We hold nothing else about them. Nobody here is matched to a character: the cast list records who was in the company and not what they played.

Creative team

Producer
Arthur Hopkins

A producer is one string on this record, however many people or companies it names. Directors and choreographers are held both as text and as identifiers; where an identifier exists the name links to a page.

What this page does not know

  • No photograph of this staging. 48 of 13,459 productions hold one.
  • No character names. We can say who was in the company and not who they played.
  • No recording is held for The Wild Duck at all.
  • When it closed.
  • No director named.
  • No show page for The Wild Duck. The work is here as a title and a year, and nothing more has been gathered about it.
  • Reviews, box office, running order, understudies and designers: none of it is held for any production.

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