The run closed January 2, 1955
- Opened
- December 22, 1954
- Closed
- January 2, 1955
- Performances
- 15
- Previews
- —
- Theatre
- City Center
Of the 705 productions we hold that opened in the 1950s and record a performance count, this is the 508th longest. That is a rank within what we hold, not within everything that was staged.
Other stagings of What Every Woman Knows 3 more that season
| 1908 | Empire Theatre Original | 198 perf. |
| 1926 | Bijou Theatre Revival · Lumsden Hare | 268 perf. |
| 1946 | International Theatre Revival · Margaret Webster | 21 perf. |
Who was in it50 named
Mearl Allen
Linda Berlin
James Bernard
Tom Brannum
Marshall Breeden
Richard Buck
Wescott Carpenter
Sid Cassel
George Cathrey
Russell Chase
John Cromwell
Jarmila Daubek
Vincent Dowling
Anne Edwards
David Eliot
Mark Fleischman
David Friedman
Bernard Gilmore
Sam Gordon
Erle Hall
Mark Halp
Mary Hara
Austin Hay
Helen Hayes
Ben Jenne
Alison Landor
Howard Lanser
William Lanteau
Lily Lodge
Virginia Low
Paul Marin
Richard Marr
Hale Matthews
Jill Mcanney
Nelson Miller
Philip Morini
Farrell Pelly
Viola Roache
James Roche
Cecil Rutherford
Rosemary Shein
Kenneth Sleeper
Kent Smith
Jay Sweeney
Ted Theoharous
Matthew Tobin
Betsy von Furstenberg
Don Wadley
Charles Williamson
1 of these 50 names have a person record behind them and link to one. The other 49 are set from the identifier in the cast list, which is a slug of the name — so hyphens and full stops are lost and a few come out wrong. We hold nothing else about them. Nobody here is matched to a character: the cast list records who was in the company and not what they played.
Creative team
- Director
- John Koenig
- Producer
- New York City Theatre Company
A producer is one string on this record, however many people or companies it names. Directors and choreographers are held both as text and as identifiers; where an identifier exists the name links to a page.
What this page does not know
- No photograph of this staging. 48 of 13,459 productions hold one.
- No character names. We can say who was in the company and not who they played.
- No recording is held for What Every Woman Knows at all.
- No show page for What Every Woman Knows. The work is here as a title and a year, and nothing more has been gathered about it.
- Reviews, box office, running order, understudies and designers: none of it is held for any production.