Licensing 2 entries
| US | Concord Theatricals Concord Theatricals | available |
| UK | Concord Theatricals Concord Theatricals | available |
Read from the licensor's own pages and catalogues. Rights move, and an empty row means we have not confirmed a publisher, not that the show cannot be licensed.
In the literature4 passages
Prince continued to work through Broadway channels. But failing on Broadway again with two conceptually based pieces (A Doll's Life, 1982; Grind, 1985), he sought and found success by developing musicals outside the United States-notably in London (following the earlier success of Evita in 1978 with Phantom of the Oper… book:showtime-a-history-of-the-broadway-musical-theatre-larry-stempel#p583
One of Prince’s unsuccessful shows of the 1980s was A Doll's Life, a musical sequel to Henrik Ibsen’s A Doll's House. While it proved problematic, it contained many expectedly stunning stage pictures, an often beautiful score by Larry Grossman, and a valiant performance by the inexhaustible Betsy Joslyn (here with Geor… book:broadway-musicals-the-101-greatest-shows-of-all-time-bloom-ken-1949-vlastnik-fra#p335
Prince stumbled by directing Merrily We Roll Along, A Doll's Life, Grind, and Roza. Critics and theatre columnists began to write about Prince's failures as if they were signs of terminal illness. book:harold-prince-a-director-s-journey-carol-ilson#p6
The successful book and lyric writing team would one day write the musicals On the Twentieth Century and A Doll's Life, with Prince as director. book:harold-prince-a-director-s-journey-carol-ilson#p15
Passages naming this show, found by keyword across 178 books. Where this show turns up in the literature, not curated trivia about it.