Productions3 on Broadway
| 1926 | Music Box Theatre Original. December 30, 1926 · George Abbott · predates this show | 172 performances |
| 1975 | 46th Street Theatre Revival. June 3, 1975 · Bob Fosse | 936 performances |
| 1996 | Richard Rodgers Theatre Revival. November 14, 1996 · Walter Bobbie | 9,999 performances |
Every Broadway staging held in broadway-data, sourced to IBDB. 1 of these predate the show itself and are almost certainly a different work of the same name. Shown, marked, not merged. West End runs are not yet held.
Licensing 2 entries
| US | Concord Theatricals Concord Theatricals | available (amateur only) |
| UK | Concord Theatricals Concord Theatricals | withdrawn |
Read from the licensor's own pages and catalogues. Rights move, and an empty row means we have not confirmed a publisher, not that the show cannot be licensed.
In the literature44 passages
The most celebrated American operetta of the 19th century, Robin Hood was produced by a touring company that first presented it in Chicago in June 1890. book:broadway-musicals-show-by-show-seventh-edition-stanley-green-cary-ginell#p17
Sop, after Chicago’s Broadway opening, Miss Verdon was temporarily replaced by Liza Minneli because of illness; during the run she was succeeded by Ann Reinking. book:broadway-musicals-show-by-show-seventh-edition-stanley-green-cary-ginell#p237
An extension of Bob Fosse’s previous work in Pippin and Chicago — plus Michael Bennett’s in A Chorus Line — Dancin’ represented the final triumph of the Broadway choreographer by doing away with practically everything else but. book:broadway-musicals-show-by-show-seventh-edition-stanley-green-cary-ginell#p242
With the arrival of Fosse , three simultaneous productions on Broadway were devoted to the work of Bob Fosse; the other two were the revivals of Chicago and Cabaret. book:broadway-musicals-show-by-show-seventh-edition-stanley-green-cary-ginell#p302
It previewed in Chicago before it came to Broadway book:broadway-musicals-show-by-show-seventh-edition-stanley-green-cary-ginell#p304
Not quite the format for a long-running smash, perhaps, but the show’s innovations did turn up in later productions such as Company and A Chorus Line(non-linear stories), Hallelujah, Baby! (characters did not age over a long period of time), and Chicago (conceived as “A Musical Vaudeville”). book:broadway-musicals-show-by-show-green-stanley-green-kay-5th-ed-rev-and-updated-by#p162
Passages naming this show, found by keyword across 178 books. Where this show turns up in the literature, not curated trivia about it.