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Company

Shows · Company

Company was the first of six Broadway musicals created by the most influential and daring team of the Seventies, composer-lyricist Stephen Sondheim and director Harold Prince. In putting this work together they avoided the conventional dramatic structure of the linear story by using five separate stories dealing with marriage that were held together by a single character who influences and is influenced by his “good…

Opened
1970
Performances
705
Type
Musical
Era
Revolution
Music: Stephen SondheimLyrics: Stephen SondheimBook: George Furth

Productions7 on Broadway

1970 Alvin Theatre Original. April 26, 1970 · Harold Prince 705 performances · 6 Tony wins
1972 Her Majesty's Theatre Transfer. January 11, 2016
1993 Vivian Beaumont Theater Revival. April 11, 1993 · Harold Prince 2 performances
1995 Criterion Center Stage Right Revival. October 5, 1995 · Scott Ellis 68 performances
2006 Ethel Barrymore Theatre Revival. November 29, 2006 · John Doyle 246 performances
2006 Transfer Theatre not recorded.
2021 Bernard B. Jacobs Theatre Revival. December 9, 2021 · Marianne Elliott 300 performances

Every Broadway staging held in broadway-data, sourced to IBDB. West End runs are not yet held.

Recordings 10 albums held

Licensing 1 entry

US Music Theatre International Company matched on title alone — a lead, not a confirmed licensor

Read from the licensor's own pages and catalogues. Rights move, and an empty row means we have not confirmed a publisher, not that the show cannot be licensed.

In the literature50 passages

Not quite the format for a long-running smash, perhaps, but the show’s innovations did turn up in later productions such as Company and A Chorus Line(non-linear stories), Hallelujah, Baby! (characters did not age over a long period of time), and Chicago (conceived as “A Musical Vaudeville”). book:broadway-musicals-show-by-show-green-stanley-green-kay-5th-ed-rev-and-updated-by#p162

The musical bore a certain kinship with Company, which also was about jaded, ambivalent characters, took a disenchanted view of marriage, and used the structural device of a party to bring a group of people together. book:broadway-musicals-show-by-show-green-stanley-green-kay-5th-ed-rev-and-updated-by#p256

the 1970s institutionalized the concept musical as a viable alternative to the traditional book musical (Stephen Sondheim’s Company , Follies , and Pacific Overtures ) book:complete-book-of-1950s-broadway-musicals-the-dan-dietz#p3

It reminded one critic of the musical Company, which examines the relationships of the leading male character with his friends. book:at-this-theatre-100-years-of-broadway-shows-stories-and-botto-louis-viagas-rober#p295

Harold Prince is the most successful producer/ director of the second half of the 20th century. He expanded the art form of musical theater first as a producer with his collaborations with Jerry Bock and Sheldon Harnick. He continued to refine and improve the art form through highly successful collaborations with John… book:broadway-its-history-people-and-places-an-encyclopedia-bloom-ken-1949-2nd-ed-new#p446

Comden and Green broke the jinx with On the Twentieth Century (2/19/78; 460 performances). Cy Coleman provided a complex score for this musical. The show joined STEPHEN SONDHEIM’S Follies and Company as one of the best musicals of the 1970s. book:broadway-its-history-people-and-places-an-encyclopedia-bloom-ken-1949-2nd-ed-new#p499

Passages naming this show, found by keyword across 178 books. Where this show turns up in the literature, not curated trivia about it.

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