Theatre Register
Dance Me a Song

Dance Me a Song

Shows · Dance Me a Song

Sketches: Jimmy (James) Kirkwood and Lee Goodman, George Oppenheimer and Vincente Minnelli, Marya Mannes, Robert Anderson, James Shelton, Wally Cox, Herman Hupfield, and Cynthia Rogers Lyrics: James Shelton and Maurice Valency Music: James Shelton, Albert Hague, and Bug Gregg Direction: James Shelton; Producers: Dwight Deere Wiman in association with Robert Ross; Choreography: Robert Sidney; Scenery and Lighting: Jo…

Opened
1950
Performances
35
Type
Revue
Era
Golden Age
Music: James Shelton, Albert Hague, and Bug GreggLyrics: James Shelton and Maurice Valency

Productions1 on Broadway

1950 Royale Theatre Original. January 20, 1950 · James Shelton 35 performances

Every Broadway staging held in broadway-data, sourced to IBDB. West End runs are not yet held.

Licensing not confirmed

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Read from the licensor's own pages and catalogues. Rights move, and an empty row means we have not confirmed a publisher, not that the show cannot be licensed.

In the literature15 passages

In the fifteen years following the war, some two dozen revues opened on Broadway, most of them failures and most of them lacking a point of view. Many critics noted the revues had a number of composers, lyricists, and sketch writers, and the large number of contributors left the revues unfocused and scattershot. The fi… book:complete-book-of-1950s-broadway-musicals-the-dan-dietz#p14

Dance Me a Song was another in a string of now-forgotten revues that were generally dismissed by the critics and public, had relatively short Broadway runs, and left behind not a single cast album. But unlike Small Wonder (1948), Along Fifth Avenue (1949), Touch and Go (1949), and Alive and Kicking before it, and Ticke… book:complete-book-of-1950s-broadway-musicals-the-dan-dietz#p21

Despite its large cast and lavish production values (and a huge initial investment of $230,000), Bless You All was yet another in the parade of the era’s luckless revues, and like Alive and Kicking , Dance Me a Song , Tickets, Please! , Michael Todd’s Peep Show , and Pardon Our French , it soon disappeared. book:complete-book-of-1950s-broadway-musicals-the-dan-dietz#p105

Shelton’s delicate ballad “I’m the Girl” was used in his 1950 revue Dance Me a Song book:complete-book-of-1950s-broadway-musicals-the-dan-dietz#p494

Dance Me a Song, an intimate revue, was not a hit, but it served to introduce the delightful comic Wally Cox, who wrote his own very funny monologues. book:at-this-theatre-100-years-of-broadway-shows-stories-and-botto-louis-viagas-rober#p254

Unlike Small Wonder (1948), Along Fifth Avenue (1949), Touch and Go (1949), and Alive and Kicking before it, and Tickets, Please! (1950), Michael Todd’s Peep Show (1950), and Pardon Our French (1951) after it, Dance Me a Song, the shortest-running revue of the lot, included three ballads that later enjoyed a certain am… book:the-complete-book-of-1950s-broadway-musicals-dan-dietz-hardcover-2014-rowman-lit#p21

Passages naming this show, found by keyword across 178 books. Where this show turns up in the literature, not curated trivia about it.

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