Theatre Register

Follow The Girls

We hold no picture of this show. This is Gertrude Niesen, who was in the 1944 production. CBS Radio (Columbia Broadcasting System)

Shows · Follow The Girls

Though it was one of Broadway’s most popular wartime attractions, Follow the Girls is all but forgotten today. The raucous and lively show did, however, make a star of Gertrude Niesen in her only book musical, and her rendition of “I Wanna Get Married” was an authentic musical-comedy showstopper.

Opened
1944
Performances
882
Type
Musical
Era
Golden Age
Music: Phil CharigLyrics: Dan Shaprio & Milton PascalBook: Guy Bolton, Eddie Davis & Fred Thompson

Productions1 on Broadway

1944 New Century Theatre Original. April 8, 1944 · Harry Delmar, Fred Thompson 882 performances

Every Broadway staging held in broadway-data, sourced to IBDB. West End runs are not yet held.

Licensing not confirmed

Rights We have not been able to confirm the publisher.

Read from the licensor's own pages and catalogues. Rights move, and an empty row means we have not confirmed a publisher, not that the show cannot be licensed.

In the literature17 passages

Though it was one of Broadway’s most popular wartime attractions, Follow the Girls is all but forgotten today. book:broadway-musicals-show-by-show-green-stanley-green-kay-5th-ed-rev-and-updated-by#p148

Follow the Girls (4/8/44; 882 performances), a musical with music by Philip Charig and lyrics by Dan Shapiro and Milton Pascal, was a surprising success. It starred Jackie Gleason, Gertrude Niesen, and Irina Baranova. book:broadway-its-history-people-and-places-an-encyclopedia-bloom-ken-1949-2nd-ed-new#p291

Theatergoers in the I !JI.Os could choose from a variety of musical al ternati\'es that succeeded by relying less on the cogency of scripts than on the power of perform- ers: star-vehicle musical comedies (Mexican llayride, 1911; Follow The Girls, 1946), book:showtime-a-history-of-the-broadway-musical-theatre-larry-stempel#p363

Perhaps Ankles Aweigh’s Spud and Dinky were a subtle homage (and a subtle sequel) to the earlier musical’s sailor-characters Goofy, Spud, and Dinky. book:the-complete-book-of-1950s-broadway-musicals-dan-dietz-hardcover-2014-rowman-lit#p462

Follow the Girls 882 performances Opened April 8, 1944 Closed May 18, 1946 book:theatre-world-2009-2010-season-v-66-willis#p457

London saw few new American musicals between 1939 and 1946, and contemporary Broadway was thus principally represented by Cole Porter (Let’s Face It and DuBarry Was a Lady , both 1942, and Panama Hattie , 1943). The first new American shows to be produced after the end of the war were the contrasting demotic comedy of… book:cambridge-companion-to-the-musical-cambridge-companions-to-music-the-the-cambrid#p172

Passages naming this show, found by keyword across 178 books. Where this show turns up in the literature, not curated trivia about it.

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