Theatre Register
Goldilocks

Goldilocks

Shows · Goldilocks

One feels the musical needed more tweaking (and perhaps just one more stop on the tryout road for additional rewriting) in order to better clarify the relationship of Max and Maggie, and to satisfyingly resolve the storylines involving George and Lois. And that title needed to go.

Opened
1958
Performances
161
Type
Musical
Era
Golden Age
Music: Leroy AndersonLyrics: Joan Ford, Walter Kerr, and Jean KerrBook: Walter Kerr and Jean Kerr

Productions1 on Broadway

1958 Lunt-Fontanne Theatre Original. October 11, 1958 · Walter Kerr 161 performances

Every Broadway staging held in broadway-data, sourced to IBDB. West End runs are not yet held.

Licensing 1 entry

US Concord Theatricals Concord Theatricals available

Read from the licensor's own pages and catalogues. Rights move, and an empty row means we have not confirmed a publisher, not that the show cannot be licensed.

In the literature19 passages

Goldilocks (1958; 161 performances) and Mack and Mabel (1974; 65 performances). Even Off-Off-Broadway’s Theda Bara and the Frontier Rabbi (1993), Dominic Argento’s opera The Dream of Valentino (1993), and Off-Broadway’s The IT Girl (2001; inspired by Clara Bow’s silent film It ) seem to have disappeared after their ini… book:complete-book-of-1950s-broadway-musicals-the-dan-dietz#p513

One feels the musical needed more tweaking (and perhaps just one more stop on the tryout road for additional rewriting) in order to better clarify the relationship of Max and Maggie, and to satisfyingly resolve the storylines involving George and Lois. And that title needed to go. book:complete-book-of-1950s-broadway-musicals-the-dan-dietz#p724

Early flyers advertised Ben Gazzara as the male lead, but he dropped out in preproduction; as the show neared its tryout, Barry Sullivan was brought in, but he too decamped; and so Don Ameche assumed the role about midway through the tryout. book:complete-book-of-1950s-broadway-musicals-the-dan-dietz#p726

Songs cut during the tryout were: “Guess Who,” “Little Girls,” “Hurricane Dance,” “Come to Me,” and “My Last Spring.” Shortly after the Broadway opening, the title of “Huckleberry Island Ballet” was changed to “Pirate Orgy.” book:complete-book-of-1950s-broadway-musicals-the-dan-dietz#p726

As the Girls Go, Seventh Heaven, Goldilocks, On a Clear Day, Zorba, The Act, Jerome Robbins’ Broadway, and Kiss of the Spider Woman—each of which saw fit to raise the prevailing price plateau—all floundered and flopped. That’s show biz. book:more-opening-nights-on-broadway-a-critical-quotebook-of-compiled-by-steven-suski#p35

When Jean Kerr’s comedies King of Hearts (1954) and Mary, Mary (1961) premiered on Broadway, Walter Kerr stepped aside and let other critics review them (and when the Kerrs cowrote the 1958 Broadway musical Goldilocks, he understandably didn’t review it). book:the-complete-book-of-1950s-broadway-musicals-dan-dietz-hardcover-2014-rowman-lit#p362

Passages naming this show, found by keyword across 178 books. Where this show turns up in the literature, not curated trivia about it.

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