Theatre Register
Happy New Year

Happy New Year

Shows · Happy New Year

The musicalization of Philip Barry’s comedy of manners Holiday (1928) used mostly-familiar Cole Porter songs to fill out the evening but the show was still deemed uninteresting by the press.

Opened
1980
Performances
17
Type
Musical
Era
Megamusical
Music: Cole PorterLyrics: Cole PorterBook: Burt Shevelove

Productions1 on Broadway

1980 Morosco Theatre Original. April 27, 1980 · Burt Shevelove 17 performances

Every Broadway staging held in broadway-data, sourced to IBDB. West End runs are not yet held.

Licensing 1 entry

US Concord Theatricals Concord Theatricals available

Read from the licensor's own pages and catalogues. Rights move, and an empty row means we have not confirmed a publisher, not that the show cannot be licensed.

In the literature10 passages

the “Happy New Year” music (“Hot Time in the Old Town Tonight”) in act II, scene 6—can be found in a third vocal score, published by the Welk Music Group, that also corresponds reasonably well to the 1946 touring production. book:enchanted-evenings-the-broadway-musical-from-show-boat-block-geoffrey-oxford-new#p52

McMartin’s tipsy Uncle Willie was “the only person on the stage who registers with clarity,” and although the actor delved into his role “with dangerous abandon,” his three songs weren’t all that great and perhaps just one would have been enough. (For McMartin, High Society must have seemed like déjà vu all over again.… book:the-complete-book-of-1990s-broadway-musicals-dan-dietz-paxton-mcnallie-2016-rowm#p331

ion was Happy New Year (1980), a musical using songs by Cole Porter. book:the-stephen-sondheim-encyclopedia-rick-pender-rowman-littlefield-publishing-lanh#p738

But unlike Teddy and Alice or Happy New Year, which even with original music would probably not have worked, Big Deal was a show of real potential. book:not-since-carrie-forty-years-of-broadway-musical-flops-ken-mandelbaum#p241

Happy New Year Shoving songs in a script. SS oncuine old, something new, something borrowed—and the result made those involved mighty blue. book:broadway-musicals-the-biggest-hit-and-the-biggest-flop-of-filichia-peter-new-yor#p137

Happy New Year’s failure taught us that adding existing songs to a property leads to a synthetically unexciting show. book:broadway-musicals-the-biggest-hit-and-the-biggest-flop-of-filichia-peter-new-yor#p169

Passages naming this show, found by keyword across 178 books. Where this show turns up in the literature, not curated trivia about it.

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