Licensing 2 entries
| US | Concord Theatricals Concord Theatricals | available |
| UK | Concord Theatricals Concord Theatricals | available |
Read from the licensor's own pages and catalogues. Rights move, and an empty row means we have not confirmed a publisher, not that the show cannot be licensed.
In the literature21 passages
Wolfe, George C. Bring In ’Da Noise, Bring In ’Da Funk Jelly’s Last Jam book:broadway-musicals-show-by-show-seventh-edition-stanley-green-cary-ginell#p387
Jelly’s Last Jam (4/26/92; 569 performances) was a musicalization of the life of Jelly Roll Morton, self-proclaimed inventor of jazz. book:broadway-its-history-people-and-places-an-encyclopedia-bloom-ken-1949-2nd-ed-new#p569
George Wolfe scrunched the songs of Jelly Roll Morton (the self-proclaimed inventor of jazz) into the musical theatre idiom in 1992’s Jelly’s Last Jam. book:broadway-musicals-the-101-greatest-shows-of-all-time-bloom-ken-1949-vlastnik-fra#p75
26 April: Jelly’s Last Jam, a fantasy on Jelly Roll Morton’s last day on earth starring Gregory Hines, opens at the Virginia Theater for a run of 569 performances. book:historical-dictionary-of-the-broadway-musical-volume-22-william-a-everett-paul-r#p31
Jukebox musicals showcasing music and performances by African Americans such as Ain’t Misbehavin’ (1978, featuring the music of Thomas “Fats” Waller) and Jelly’s Last Jam (1992, featuring the music of Jelly Roll Morton) have been extremely successful. book:historical-dictionary-of-the-broadway-musical-volume-22-william-a-everett-paul-r#p45
Glover, who had starred on Broadway as a 12-year-old tap dancer in Jelly’s Last Jam, was a remarkable presence in the show as both dancer and choreographer. book:historical-dictionary-of-the-broadway-musical-volume-22-william-a-everett-paul-r#p81
Passages naming this show, found by keyword across 178 books. Where this show turns up in the literature, not curated trivia about it.