Productions3 on Broadway
| 1985 | Transfer Theatre not recorded. · predates this show | |
| 1987 | Broadway Theatre Original. March 12, 1987 · Trevor Nunn & John Caird | 6,680 performances · 8 Tony wins |
| 2010 | Transfer Theatre not recorded. October 3, 2010 |
Every Broadway staging held in broadway-data, sourced to IBDB. 1 of these predate the show itself and are almost certainly a different work of the same name. Shown, marked, not merged. West End runs are not yet held.
Licensing not confirmed
| Rights | — We have not been able to confirm the publisher. |
Read from the licensor's own pages and catalogues. Rights move, and an empty row means we have not confirmed a publisher, not that the show cannot be licensed.
In the literature24 passages
Les Misdrableswas the first musical in Broadway history to open at a top ticket price of $50.00. book:broadway-musicals-show-by-show-green-stanley-green-kay-5th-ed-rev-and-updated-by#p299
As the decades passed, music itself emerged as the primary method of telling a musical’s story, and the public became accustomed to sung-through musicals (Evita and Les Miserables ) book:complete-book-of-1950s-broadway-musicals-the-dan-dietz#p3
In 1990, Les Miserables moved from the Broadway Theatre and continued its epic run here, eventually breaking the Imperial record. book:at-this-theatre-100-years-of-broadway-shows-stories-and-botto-louis-viagas-rober#p184
When Les Miserables, produced in association with the Royal Shakespeare Company, opened to mostly negative reviews, Mackintosh So believed in the piece, he moved it to London’s Palace Theatre, where he proved his unerring taste when it, too, became a sensation. book:broadway-musicals-the-101-greatest-shows-of-all-time-bloom-ken-1949-vlastnik-fra#p271
These shows made Mackintosh the single most powerful theater producer of the age, and a very wealthy man. They include, besides Cats and Phantom, Les Miserables (Paris, 1980/London, 1985/ New York, 1987) and Miss Saigon (London, 1989/New York, 1991 ). book:showtime-a-history-of-the-broadway-musical-theatre-larry-stempel#p659
Mackintosh, by contrast, has consistently succeeded to recoup-Cats ($4 million), Les Miz ($4.5 million), Phantom ($8 million), Miss Saigon ($10 million)-and then gone on to reap hitherto unimaginable prof-its with runs that have lasted from ten to more than twenty years on Broadway alone. book:showtime-a-history-of-the-broadway-musical-theatre-larry-stempel#p668
Passages naming this show, found by keyword across 178 books. Where this show turns up in the literature, not curated trivia about it.