Theatre Register
Les Misérables (1994 Japanese 'Red' cast)

Les Misérables

Shows · Les Misérables

Something of a follow-up to the Royal Shakespeare Company’s highly acclaimed non-musical dramatization of Charles Dickens’ Life and Adventures of Nicholas Nickleby, Les Misérables was again directed by Trevor Nunn and John Caird, designed by John Napier, and lighted by David Hersey. (This time, however, it was produced by Cameron Mackintosh in partnership with the RSC.) Once more those responsible put together an epi…

Opened
1987
Performances
6,680
Type
Musical
Era
Megamusical
Music: Claude-Michel SchönbergLyrics: Herbert Kretzmer

Recordings 5 albums held

Licensing 1 entry

US Music Theatre International Les Misérables matched on title alone — a lead, not a confirmed licensor

Read from the licensor's own pages and catalogues. Rights move, and an empty row means we have not confirmed a publisher, not that the show cannot be licensed.

In the literature63 passages

First there was difficulty finding a suitable Broadway house. Les Misérables moved to the Imperial to make the Broadway available, and while the Broadway is one of New York’s larger houses, it is much smaller than London’s Drury Lane (a significant fact when the production includes sets such as a life-size helicopter),… book:broadway-musicals-show-by-show-seventh-edition-stanley-green-cary-ginell#p279

Cats begat the Cameron Mackintosh empire of spectacular productions: Starlight Express, Phantom of the Opera, Les Misérables, and Miss Saigon, and crash- chandeliers, huge barricades, and helicopters became the hallmarks of the Broadway musicals of 1980s and early ‘gos. book:broadway-musicals-the-101-greatest-shows-of-all-time-bloom-ken-1949-vlastnik-fra#p65

the team of Alain Boublil and Claude-Michel Schönberg (Les Misérables and Miss Saigon), book:enchanted-evenings-the-broadway-musical-from-show-boat-block-geoffrey-oxford-new#p15

When Enchanted Evenings appeared in 1997, Lloyd Webber’s Cats, directed by Trevor Nunn, was on the verge of surpassing Michael Bennett and Marvin Hamlisch’s A Chorus Line as Broadway’s longest running show, and Phantom stood in fourth place behind the then still running Les Misérables, Cats, and A Chorus Line on the al… book:enchanted-evenings-the-broadway-musical-from-show-boat-block-geoffrey-oxford-new#p22

Evita, Les Misérables, and Phantom are musically integrated in the sense that they use a relatively small repertoire of motives and themes and recycle these melodies continuously, usually with new lyrics (i.e., contrafacta, a term used extensively in Joseph Swain’s chapters on Lloyd Webber and BoublilSchönberg). book:enchanted-evenings-the-broadway-musical-from-show-boat-block-geoffrey-oxford-new#p463

Less explored are the creative choices Lloyd Webber and Prince—in collaboration with the Midas-touched producer of Les Misérables the previous year, Cameron Macintosh (b. 1946)—made in their conversion of Leroux’s novel and the comparably influential 1925 classic silent film directed by Rupert Julian and starring Lon C… book:enchanted-evenings-the-broadway-musical-from-show-boat-block-geoffrey-oxford-new#p465

Passages naming this show, found by keyword across 178 books. Where this show turns up in the literature, not curated trivia about it.

Something wrong here? Correct a field or report the problem. Every change is recorded in public under the contributor licence.