My One and Only

Productions3 on Broadway

Every Broadway staging held in broadway-data, sourced to IBDB. West End runs are not yet held.

Licensing 2 entries

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In the literature29 passages

By 1982, My One and Only was brought in for over $4 million. book:broadway-musicals-show-by-show-seventh-edition-stanley-green-cary-ginell#p12

In 1983, six songs from Funny Face were used in the score of My One and Only, which had a different book. book:broadway-musicals-show-by-show-seventh-edition-stanley-green-cary-ginell#p68

this production opened on May 1, 1983, to some very enthusiastic notices, especially for its two stars, Twiggy and Tommy Tune, and for tap dancer Charles (\"Honi\") Coles. Mr. Tune won a Tony for his performance and another for his choreography with Thommie Walsh. book:at-this-theatre-100-years-of-broadway-shows-stories-and-botto-louis-viagas-rober#p282

Gershwin’s only Broadway opera returned a few years later in 1942, albeit more like a conventional musical with spoken dialogue replacing sung recitative—favoring accessibility over authenticity—and became a modest commercial success at 286 performances. Within seven years New York audiences thus were able to see Gersh… book:enchanted-evenings-the-broadway-musical-from-show-boat-block-geoffrey-oxford-new#p41

She appeared in My One and Only in 1984, and in 1999, took over the role of Roxie Hart in the long-running revival of Chicago. book:historical-dictionary-of-the-broadway-musical-volume-22-william-a-everett-paul-r#p135

Intended as a revival of Funny Face, My One and Only went through a difficult creative period but emerged as a success. book:historical-dictionary-of-the-broadway-musical-volume-22-william-a-everett-paul-r#p277

Passages naming this show, found by keyword across 178 books. Where this show turns up in the literature, not curated trivia about it.