Theatre Register
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Oh, Boy!

Shows · Oh, Boy!

For Oh, Boy! , their third Princess Theatre Musical and the third longest running book musical of the 1910’s, Jerome Kern and Guy Bolton were joined by British humorist P. G. Wodehouse, who helped give the characters the flavor of transplanted silly-ass Englishmen.

Opened
1917
Performances
463
Type
Musical
Era
Early
Music: Jerome KernLyrics: P. G. WodehouseBook: Guy Bolton & P. G. Wodehouse

Productions2 on Broadway

1917 Princess Theatre Original. February 20, 1917 · Edward Royce, Robert Milton 463 performances
1919 Transfer Theatre not recorded.

Every Broadway staging held in broadway-data, sourced to IBDB. West End runs are not yet held.

Licensing 2 entries

US Concord Theatricals Tams-Witmark available
UK Concord Theatricals Tams-Witmark available

Read from the licensor's own pages and catalogues. Rights move, and an empty row means we have not confirmed a publisher, not that the show cannot be licensed.

In the literature16 passages

Leave It to Jane was originally scheduled to follow Oh, Boy! into the Princess but that show was doing so well that Jane was shifted to a larger house. book:broadway-musicals-show-by-show-seventh-edition-stanley-green-cary-ginell#p39

The Princess’ next show, Oh, Boy! (2/20/17; 463 performances), represented another step forward in the gradual evolution of a truly American musical that was distinct from the European operetta tradition. book:broadway-its-history-people-and-places-an-encyclopedia-bloom-ken-1949-2nd-ed-new#p447

Oh, Boy! represented the transition from the haphazard musicals of the past to the newer, more methodical modern musical comedy. book:broadway-musicals-the-101-greatest-shows-of-all-time-bloom-ken-1949-vlastnik-fra#p237

In Oh, Boy! (1917), for example, Kern and his collaborators combined a witty book with careful song placements. book:historical-dictionary-of-the-broadway-musical-volume-22-william-a-everett-paul-r#p272

One of the famed Princess Theatre musicals of the 1910s that Broadway historians look back on as significant steps in the integration of music and plot, Oh, Boy! was a smash hit that followed its 14-month run with a five-year tour. book:historical-dictionary-of-the-broadway-musical-volume-22-william-a-everett-paul-r#p287

The most successful of the ‘‘Princess Theatre Shows.’’ OH, BOY! set the standard for early musical comedy, with the songs reasonably interpolated into entertainingly humorous (though often slight) stories. book:show-tunes-1905-1985-the-songs-shows-and-careers-of-steven-suskin-1st-ed-new-yor#p62

Passages naming this show, found by keyword across 178 books. Where this show turns up in the literature, not curated trivia about it.

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