Theatre Register
Peggy-Ann

Peggy-Ann

Shows · Peggy-Ann

Peggy-Ann is a musical comedy with music by Richard Rodgers, lyrics by Lorenz Hart and book by Herbert Fields, based on the 1910 musical Tillie’s Nightmare by Edgar Smith. The plot of the musical takes place in Glens Falls, New York; New York City, and Havana, Cuba.

Opened
1926
Performances
333
Type
Musical
Era
Early
Music: Richard RodgersLyrics: Lorenz HartBook: Herbert Fields

Productions1 on Broadway

1926 Vanderbilt Theatre Original. December 27, 1926 · Robert Milton 333 performances

Every Broadway staging held in broadway-data, sourced to IBDB. West End runs are not yet held.

Licensing not confirmed

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Read from the licensor's own pages and catalogues. Rights move, and an empty row means we have not confirmed a publisher, not that the show cannot be licensed.

In the literature16 passages

Peggy-Ann (12/27/26; 354 performances) was a strange musical with surrealistic overtones. The majority of the show illustrated Peggy-Ann’s dreams. book:broadway-its-history-people-and-places-an-encyclopedia-bloom-ken-1949-2nd-ed-new#p187

Peggy-Ann distinction as the first musical comedy to express Freud’s theories on the stage “by dealing with subconscious fears and fantasies.” book:enchanted-evenings-the-broadway-musical-from-show-boat-block-geoffrey-oxford-new#p122

In the 1936 On Your Toes Rodgers and Hart attempted an integration of music and drama that went beyond their successful innovations in Peggy-Ann and their unsuccessful ones in Chee-Chee. book:enchanted-evenings-the-broadway-musical-from-show-boat-block-geoffrey-oxford-new#p124

Rodgers is the first to admit that a number of his musicals created with Hart do not even aspire to, much less achieve, the goals he first enunciated in the late 1920s with Dearest Enemy and Peggy-Ann. book:enchanted-evenings-the-broadway-musical-from-show-boat-block-geoffrey-oxford-new#p259

Stanley Green summarizes other innovations in Peggy-Ann: “No songs were sung within the first fifteen minutes, the scenery and costumes were changed in full view of the audience, and the first and last scenes were played in almost total darkness.” Stanley Green, Broadway Musicals Show by Show. book:enchanted-evenings-the-broadway-musical-from-show-boat-block-geoffrey-oxford-new#p636

In 1936 Rodgers and Hart attempted an integration of music and drama that went beyond their successful innovations in Peggy-Ann and their unsuccessful ones in Chee-Chee. book:enchanted-evenings-the-broadway-musical-from-show-boat-block-geoffrey-oxford-uni#p124

Passages naming this show, found by keyword across 178 books. Where this show turns up in the literature, not curated trivia about it.

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