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Rose-Marie

Shows · Rose-Marie

Rose-Marie is an operetta-style musical with music by Rudolf Friml and Herbert Stothart, and book and lyrics by Otto Harbach and Oscar Hammerstein II. The story is set in the Canadian Rocky Mountains and concerns Rose-Marie La Flemme, a French Canadian girl who loves miner Jim Kenyon.

Opened
1924
Performances
557
Type
Musical
Era
Early
Music: Rudolf Friml*, Herbert Stothart#Lyrics: Otto Harbach & Oscar Hammerstein IIBook: Otto Harbach & Oscar Hammerstein II

Productions1 on Broadway

1924 Imperial Theatre Original. September 2, 1924 · Paul Dickey 557 performances

Every Broadway staging held in broadway-data, sourced to IBDB. West End runs are not yet held.

Licensing 2 entries

US Concord Theatricals Tams-Witmark available
UK Concord Theatricals Tams-Witmark available

Read from the licensor's own pages and catalogues. Rights move, and an empty row means we have not confirmed a publisher, not that the show cannot be licensed.

In the literature29 passages

The fact that the story deals with a murder was considered something of a novelty for a musical as was the conscientious effort, though it was not entirely successful, to integrate the musical pieces into the story. book:broadway-musicals-show-by-show-seventh-edition-stanley-green-cary-ginell#p51

The musical was a hit in London, opening at His Majesty’s Theatre on May 19, 1933, for 275 performances and starring Mary Ellis, Broadway’s original Rose-Marie. book:complete-book-of-1950s-broadway-musicals-the-dan-dietz#p206

In September 1924 this theatre housed one of its most celebrated shows, the Rudolf Friml operetta Rose-Marie, with a book by Otto Harbach and Oscar Hammerstein II. According to Gerald Bordman in American Musical Theatre, this musical was "not only the biggest hit of the season, but the biggest grosser of the decade." M… book:at-this-theatre-100-years-of-broadway-shows-stories-and-botto-louis-viagas-rober#p175

Hammerstein, who still believed in Friml, paired him with his nephew Oscar for Rose-Marie (9/2/24; 581 performances). Herbert Stothart also contributed music to the operetta. Mary Ellis played the title role, and operetta favorite Dennis King played her lover. book:broadway-its-history-people-and-places-an-encyclopedia-bloom-ken-1949-2nd-ed-new#p196

Rose-Marie wasn’t an entirely integrated work—Hammerstein’s later Show Boat came much closer to this ideal—but it was another step on the road to a truly American operetta, a form that had its greatest success with Oklahoma! The critics didn’t fully agree with Hammerstein when he wrote, “The revolution in musical comed… book:broadway-its-history-people-and-places-an-encyclopedia-bloom-ken-1949-2nd-ed-new#p198

Rose-Marie (9/2/24; 581 performances), the Friml, Stothart, Harbach, and Oscar Hammerstein II show contained such fine songs as “Indian Love Call,” “Only a Kiss,” “Pretty Things,” “Rose-Marie,” and “Totem Tom-Tom.” The show broke box office records and earned Arthur $2.5 million. book:broadway-its-history-people-and-places-an-encyclopedia-bloom-ken-1949-2nd-ed-new#p227

Passages naming this show, found by keyword across 178 books. Where this show turns up in the literature, not curated trivia about it.

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