Theatre Register

Seven Lively Arts

We hold no picture of this show. This is Beatrice Lillie, who was in the 1944 production. Illustrated Sporting and Dramatic News, p. 286

Shows · Seven Lively Arts

A lavish revue celebrating the seven lively arts — theatre, music, dance, painting, sculpture, cinema, and radio — through a series of sketches, musical numbers, and ballet sequences. Beatrice Lillie delivers comic sketches, Bert Lahr provides broad comedy, and Benny Goodman's orchestra plays jazz while prima ballerina Alicia Markova dances to a ballet composed by Igor Stravinsky.

Opened
1944
Performances
183
Type
Revue
Era
Golden Age
Music: Cole PorterLyrics: Cole Porter

Productions1 on Broadway

1944 Ziegfeld Theatre Original. December 7, 1944 · Hassard Short, Philip Loeb 183 performances

Every Broadway staging held in broadway-data, sourced to IBDB. West End runs are not yet held.

Licensing not confirmed

Rights We have not been able to confirm the publisher.

Read from the licensor's own pages and catalogues. Rights move, and an empty row means we have not confirmed a publisher, not that the show cannot be licensed.

In the literature27 passages

In her early career, Worth appeared in a number of short-lived musicals (Very Warm for May, Higher and Higher, Bright Lights of 1944, Jackpot, and Seven Lively Arts), and was also closely associated with Mary Martin. book:complete-book-of-1950s-broadway-musicals-the-dan-dietz#p184

Porter’s next show was The Seven Lively Arts (12/7/44; 183 performances). The cast was superlative: Beatrice Lillie, Bert Lahr, Benny Goodman, Alicia Markova, and Dolores Gray headlined. The revue introduced one hit, “Ev’rytime We Say Goodbye,” one of Porter’s greatest ballads. book:broadway-its-history-people-and-places-an-encyclopedia-bloom-ken-1949-2nd-ed-new#p439

The Seven Lively Arts, 417, 586 book:broadway-its-history-people-and-places-an-encyclopedia-bloom-ken-1949-2nd-ed-new#p683

After laying them in the aisles in Du Barry Was a Lady, he next returned to the musical stage in the revues Seven Lively Arts (costarring with another utterly brilliant, utterly unique clown, Bea Lillie) and Two on the Aisle, costarring (and feuding) with Dolores Gray. book:broadway-musicals-the-101-greatest-shows-of-all-time-bloom-ken-1949-vlastnik-fra#p99

While these shows contained the occasional gem (The Show Is On had “I Love You” and Seven Lively Arts boasted a fine score by Kurt Weill, including “All I Know”), in general, they were flops. book:broadway-musicals-the-101-greatest-shows-of-all-time-bloom-ken-1949-vlastnik-fra#p178

Two successive failures, Seven Lively Arts (1944) and Around the World in Eighty Days (1946), prompted Porter and his backers to question the commercial vitality of the pre–Rodgers and Hammerstein–type musical. book:enchanted-evenings-the-broadway-musical-from-show-boat-block-geoffrey-oxford-new#p262

Passages naming this show, found by keyword across 178 books. Where this show turns up in the literature, not curated trivia about it.

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