Theatre Register
Seventeen / High Button Shoes

Seventeen

Shows · Seventeen

Seventeen was the only Broadway score by the team of Kim Gannon and Walter Kent. The musical didn’t produce any popular standards, but they wrote one of the most enduring of all holiday songs with their sweet and poignant “I’ll Be Home for Christmas.”

Opened
1951
Performances
182
Type
Musical
Era
Golden Age
Music: Walter KentLyrics: Kim GannonBook: Sally Benson

Productions2 on Broadway

1918 Booth Theatre Original. January 22, 1918 · predates this show 225 performances
1951 Broadhurst Theatre Revival. June 21, 1951 · Staging by Hassard Short and book direction by Richard Whorf 182 performances

Every Broadway staging held in broadway-data, sourced to IBDB. 1 of these predate the show itself and are almost certainly a different work of the same name. Shown, marked, not merged. West End runs are not yet held.

Licensing 1 entry

US Concord Theatricals Concord Theatricals available

Read from the licensor's own pages and catalogues. Rights move, and an empty row means we have not confirmed a publisher, not that the show cannot be licensed.

In the literature15 passages

The musicals of the post-Oklahoma! era seemed overly populated with these hoyden Jejune Allyson types (Daisy in Bloomer Girl, Hildy in On the Town, Carrie in Carousel, Lois in Kiss Me, Kate, Cissy in A Tree Grows in Brooklyn, Lola in Seventeen, and Hilda in Plain and Fancy). book:complete-book-of-1950s-broadway-musicals-the-dan-dietz#p57

A musical version of Seventeen (1951) fared much better, playing for 180 performances. book:at-this-theatre-100-years-of-broadway-shows-stories-and-botto-louis-viagas-rober#p122

Seventeen was the only Broadway score by the team of Kim Gannon and Walter Kent. book:the-complete-book-of-1950s-broadway-musicals-dan-dietz-hardcover-2014-rowman-lit#p192

The musical didn’t produce any popular standards, but they wrote one of the most enduring of all holiday songs with their sweet and poignant “I’ll Be Home for Christmas.” book:complete-book-of-1950s-broadway-musicals-the-dan-dietz#p191

Dancer and future Broadway choreographer Donia (later, Dania) Krupska was the featured performer during the Chester Hale’s Girls sequence (she later danced in the original Broadway production of Can-Can, and choreographed the original Broadway productions of such musicals as Seventeen) book:the-complete-book-of-1930s-broadway-musicals-dietz-dan-rowman-littlefield-publis#p572

Sally Benson, who had co-authored the book for the one-month run of the musical Memphis Bound in 1945 and adapted Booth Tarkington’s novel Seventeen to the musical stage in 1951, based her play Josephine on the stories written by F. Scott Fitzgerald. book:broadway-bound-a-guide-to-shows-that-died-aborning#p250

Passages naming this show, found by keyword across 178 books. Where this show turns up in the literature, not curated trivia about it.

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