Licensing not confirmed
| Rights | — We have not been able to confirm the publisher. |
Read from the licensor's own pages and catalogues. Rights move, and an empty row means we have not confirmed a publisher, not that the show cannot be licensed.
In the literature10 passages
Both of Youmans’ future wives, incidentally, were in the OH, PLEASE! chorus. book:show-tunes-1905-1985-the-songs-shows-and-careers-of-steven-suskin-1st-ed-new-yor#p171
'Morning Is Midnight’—also used in SHE’S MY BABY [January 3, 1928]' and '“A Tiny Flat Near Soho Square”—see SHE’S MY BABY','confidence': 1.0},{ book:show-tunes-1905-1985-the-songs-shows-and-careers-of-steven-suskin-1st-ed-new-yor#p190
Another British hit, memorable for establishing Jessie Matthews as a star. Matthews introduced the soon-to-be-imported “My Heart Stood Still,” inspired by the near-collision of a Paris taxicab containing Rodgers and Hart. book:show-tunes-1905-1985-the-songs-shows-and-careers-of-steven-suskin-1st-ed-new-yor#p193
Rodgers and Hart eventually did come up with a Lillie gem: “Rhythm” (in the British revue PLEASE! [November 16, 1933]), which seems to have been revised from un- used SHE’S MY BABY material. book:show-tunes-1905-1985-the-songs-shows-and-careers-of-steven-suskin-1st-ed-new-yor#p195
“Why Do You Suppose?”—new lyric for “How Was I To Know” (cut) from SHE’S MY BABY [January 3, 1928] book:show-tunes-1905-1985-the-songs-shows-and-careers-of-steven-suskin-1st-ed-new-yor#p198
(see SHE’S MY BABY [Jan-uary 3, 1928]) book:show-tunes-1905-1985-the-songs-shows-and-careers-of-steven-suskin-1st-ed-new-yor#p201
Passages naming this show, found by keyword across 178 books. Where this show turns up in the literature, not curated trivia about it.