Theatre Register
1938_-_Sweethearts_Playbill_-_Allentown_Municipal_Opera_-_Allentown_PA.jpg

Sweethearts

Shows · Sweethearts

Though allegedly based on the real-life adventures of a 15th Century Neapolitan princess, Sweethearts was easily among Broadway’s most farfetched musical romances, complete with a mythological country, an abducted princess, and a prince in disguise.

Opened
1913
Performances
136
Type
Musical
Era
Early
Music: Victor HerbertLyrics: Robert B. SmithBook: Harry B. Smith & Fred De Gresac

Productions3 on Broadway

1913 New Amsterdam Theatre Original. September 8, 1913 · Fred Latham 136 performances
1929 Jolsons 59th Street Theatre Revival. September 21, 1929 · Milton Aborn 17 performances
1947 Shubert Theatre Revival. January 21, 1947 · John Kennedy 288 performances

Every Broadway staging held in broadway-data, sourced to IBDB. West End runs are not yet held.

Recordings 2 albums held

Licensing 2 entries

US Concord Theatricals Tams-Witmark available
UK Concord Theatricals Tams-Witmark available

Read from the licensor's own pages and catalogues. Rights move, and an empty row means we have not confirmed a publisher, not that the show cannot be licensed.

In the literature24 passages

VicToR HERBERT charged that people had heard a Herbert composition, “Sweethearts,” played in Shanley’s Restaurant on April 1, 1915. book:broadway-its-history-people-and-places-an-encyclopedia-bloom-ken-1949-2nd-ed-new#p54

“a young lady who was not an actress, who had never been employed in a theatrical production,” sang the song. The last point stated that although “Sweethearts” was a part of a theater piece, the version of the song used by the orchestra was “published as a separate musical composition by G. Schirmer, Inc., in the form… book:broadway-its-history-people-and-places-an-encyclopedia-bloom-ken-1949-2nd-ed-new#p55

Sweethearts (9/8/13; 136 performances) was another of Herbert’s shows with a celebrated score. book:broadway-its-history-people-and-places-an-encyclopedia-bloom-ken-1949-2nd-ed-new#p260

Smith’s greatest musical successes—Robin Hood, The Spring Maid, Sweethearts, Watch Your Step, Countess Maritza, The Girl from Utah, and The Rich Mr. Hoggenheimer—were written in collaboration with such composers as Ludwig Englander, Reginald De Koven, Victor Herbert, John Philip Sousa, Robert Hood Bowers, Gus Edwards,… book:broadway-its-history-people-and-places-an-encyclopedia-bloom-ken-1949-2nd-ed-new#p521

a revival of the Victor Herbert operetta Sweethearts (it was hit, by the way), he returned to a more expected brand of humor, leading the Mike Todd “tired businessman” specialties As the Girls Go and Peep Show, his last Broadway appearance, in 1950. book:broadway-musicals-the-101-greatest-shows-of-all-time-bloom-ken-1949-vlastnik-fra#p57

Broadway revivals (The Red Mill, 1945; Sweethearts, 1937). In this sense, and with emphasis on the stageworks at least as much as the individual songs, Victor Herbert-unlike, say, Stephen Foster--can be considered the first great composer of the American musical theater. book:showtime-a-history-of-the-broadway-musical-theatre-larry-stempel#p147

Passages naming this show, found by keyword across 178 books. Where this show turns up in the literature, not curated trivia about it.

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