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Noel Coward Sings His Score for The Girl Who Came to Supper

The Girl Who Came to Supper

Shows · The Girl Who Came to Supper

The Girl Who Came to Supper is a musical with a book by Harry Kurnitz and music and lyrics by Noël Coward, based on Terence Rattigan's 1953 play The Sleeping Prince. The musical premiered on Broadway in 1963.

Opened
1963
Performances
112
Type
Musical
Era
Golden Age
Music: Noel CowardLyrics: Noel CowardBook: Harry Kurnitz

Productions1 on Broadway

1963 Broadway Original. December 8, 1963 · Joe Layton 112 performances

Every Broadway staging held in broadway-data, sourced to IBDB. West End runs are not yet held.

Licensing not confirmed

Rights We have not been able to confirm the publisher.

Read from the licensor's own pages and catalogues. Rights move, and an empty row means we have not confirmed a publisher, not that the show cannot be licensed.

In the literature13 passages

In 1963, The Sleeping Prince was adapted into the Broadway musical The Girl Who Came to Supper with lyrics and music by Noel Coward. book:complete-book-of-1950s-broadway-musicals-the-dan-dietz#p889

His final book show as composer, The Girl Who Came to Supper, was an even bigger disappointment, despite a wonderful performance by Florence Henderson. book:broadway-musicals-the-101-greatest-shows-of-all-time-bloom-ken-1949-vlastnik-fra#p56

Had her next Broadway vehicle, The Girl Who Came to Supper, been a hit, perhaps we would have never lost her to an extended stay in La-La Land. Co-starring Jose Ferrer, an actor at the bottom of everyone’s list to play a handsome, dashing prince in a musical, its failure wasn’t remotely her fault, for Henderson mined e… book:broadway-musicals-the-101-greatest-shows-of-all-time-bloom-ken-1949-vlastnik-fra#p103

After his stylish, groundbreaking work on No Strings, he directed the misguided The Girl Who Came to Supper and Sherry, and his sharp, nonstop staging of George M! was followed by the relative tedium of Dear World and Two By Two. book:broadway-musicals-the-101-greatest-shows-of-all-time-bloom-ken-1949-vlastnik-fra#p305

Noted for his wit and flamboyance, Coward was a playwright, director, actor, and singer, in addition to composer, such as for Sail Away (1961) and The Girl Who Came to Supper (1963) during the Golden Age. Tony nominations: Best Direction (Musical), High Spirits, 1964; Best Author (Musical), The Girl Who Came to Supper,… book:the-golden-age-of-american-musical-theatre-1943-1965-naden-corinne-j-rowman-litt#p185

Layton’s work was excellent, causing Coward to retain him for his last musical, The Girl Who Came to Supper. book:not-since-carrie-forty-years-of-broadway-musical-flops-ken-mandelbaum#p265

Passages naming this show, found by keyword across 178 books. Where this show turns up in the literature, not curated trivia about it.

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