By decade58 productions across 2 decades
Counted from the productions we hold, which are Broadway and a partial West End. A quiet decade here can mean a dark theatre and can mean a gap in the record.
Longest runs hereby performances
| 1944 | Hats Off to Ice June 22, 1944 · Catherine Littlefield | 889 perf. |
| 1942 | Stars on Ice July 2, 1942 · Catherine Littlefield | 827 perf. |
| 1949 | Howdy, Mr. Ice of 1950 May 26, 1949 · Sonart Productions, Inc. (William H. Burke, Production Director; Arthur M. Wirtz, Executive Director) | 430 perf. |
| 1947 | Icetime of 1948 May 28, 1947 · Catherine Littlefield | 422 perf. |
| 1948 | Howdy, Mr. Ice June 24, 1948 · Catherine Littlefield | 406 perf. |
| 1946 | Icetime June 20, 1946 · Sonart Productions, Inc. (William H. Burke, Production Director; Arthur M. Wirtz, Executive Director) | 405 perf. |
| 1943 | Stars on Ice June 24, 1943 · Catherine Littlefield | 403 perf. |
| 1941 | It Happens on Ice July 15, 1941 · Catherine Littlefield | 386 perf. |
Ranked among the 43 runs here that record a performance count. 15 do not, so a longer run may be sitting outside this table with an empty field.
Everything that played here58 productions
| 1934 | The Great Waltz September 22, 1934 · Original | 298 perf. |
| 1935 | The Great Waltz August 5, 1935 · Return-Engagement | 49 perf. |
| 1936 | White Horse Inn October 1, 1936 · Original · no show page | 223 perf. |
| 1937 | Virginia September 2, 1937 · Original · no show page | 60 perf. |
| 1939 | Swingin' The Dream November 29, 1939 · Original · no show page | 13 perf. |
| 1939 | The American Way July 17, 1939 · Return-Engagement · no show page | 80 perf. |
| 1940 | Gizelle January 12, 1940 · Original · no show page | |
| 1940 | It Happens on Ice October 10, 1940 · Original · no show page | 276 perf. |
| 1941 | It Happens on Ice July 15, 1941 · Return-Engagement · no show page | 386 perf. |
| 1942 | Stars on Ice July 2, 1942 · Original · no show page | 827 perf. |
| 1943 | Stars on Ice June 24, 1943 · Revival · no show page | 403 perf. |
| 1944 | Aida April 28, 1944 · Revival | 2 perf. |
| 1944 | Carmen April 26, 1944 · Revival · no show page | 2 perf. |
| 1944 | Faust April 29, 1944 · Revival · no show page | 2 perf. |
| 1944 | Hats Off to Ice June 22, 1944 · Original · no show page | 889 perf. |
| 1944 | Il Trovatore April 30, 1944 · Revival · no show page | |
| 1944 | La Bohème April 30, 1944 · Revival · no show page | |
| 1944 | La Traviata April 27, 1944 · Revival · no show page | |
| 1944 | Rigoletto April 29, 1944 · Revival · no show page | |
| 1946 | Aida May 1, 1946 · Revival | 2 perf. |
| 1946 | Carmen May 4, 1946 · Revival · no show page | 2 perf. |
| 1946 | Cavalleria Rusticana May 8, 1946 · Revival · no show page | 1 perf. |
| 1946 | Faust May 9, 1946 · Revival · no show page | 1 perf. |
| 1946 | Icetime June 20, 1946 · Original · no show page | 405 perf. |
| 1946 | Il Trovatore May 4, 1946 · Revival · no show page | 2 perf. |
| 1946 | La Bohème May 5, 1946 · Revival · no show page | 2 perf. |
| 1946 | La Tosca May 6, 1946 · Revival · no show page | 1 perf. |
| 1946 | La Traviata May 3, 1946 · Revival · no show page | 1 perf. |
| 1946 | Madame Butterfly May 2, 1946 · Revival · no show page | 2 perf. |
| 1946 | Pagliacci May 8, 1946 · Revival · no show page | 1 perf. |
| 1946 | Rigoletto May 5, 1946 · Revival · no show page | 1 perf. |
| 1946 | The Barber of Seville May 7, 1946 · Revival · no show page | 1 perf. |
| 1947 | Aida April 26, 1947 · Revival | 3 perf. |
| 1947 | Carmen April 23, 1947 · Revival · no show page | 3 perf. |
| 1947 | Cavalleria Rusticana April 29, 1947 · Revival · no show page | 1 perf. |
| 1947 | Faust May 2, 1947 · Revival · no show page | 1 perf. |
| 1947 | Icetime of 1948 May 28, 1947 · Original · no show page | 422 perf. |
| 1947 | Il Trovatore April 27, 1947 · Revival · no show page | 1 perf. |
| 1947 | La Bohème April 27, 1947 · Revival · no show page | 2 perf. |
| 1947 | La Tosca April 30, 1947 · Revival · no show page | 1 perf. |
| 1947 | La Traviata April 26, 1947 · Revival · no show page | 3 perf. |
| 1947 | Madame Butterfly April 24, 1947 · Revival · no show page | 3 perf. |
| 1947 | Pagliacci April 29, 1947 · Revival · no show page | 1 perf. |
| 1947 | Rigoletto April 25, 1947 · Revival · no show page | 2 perf. |
| 1947 | The Barber of Seville May 4, 1947 · Revival · no show page | 1 perf. |
| 1948 | Aida April 14, 1948 · Revival | |
| 1948 | Carmen April 14, 1948 · Revival · no show page | 21 perf. |
| 1948 | Cavalleria Rusticana April 14, 1948 · Revival · no show page | |
| 1948 | Faust April 14, 1948 · Revival · no show page | |
| 1948 | Howdy, Mr. Ice June 24, 1948 · Original · no show page | 406 perf. |
| 1948 | Il Trovatore April 14, 1948 · Revival · no show page | |
| 1948 | La Bohème April 14, 1948 · Revival · no show page | |
| 1948 | La Tosca April 14, 1948 · Revival · no show page | |
| 1948 | La Traviata April 14, 1948 · Revival · no show page | |
| 1948 | Madame Butterfly April 14, 1948 · Revival · no show page | |
| 1948 | Rigoletto April 14, 1948 · Revival · no show page | |
| 1948 | The Barber of Seville April 14, 1948 · Revival · no show page | |
| 1949 | Howdy, Mr. Ice of 1950 May 26, 1949 · Original · no show page | 430 perf. |
In the literature8 passages
- • The Drowsy Chaperone , a woozy musical comedy from Canada whose American premiere was at the Center Theatre Group, Los Angeles. It closed December 30, 2007, after playing 674 performances and grossing $63.5 million.ebooks/Donahue, Tim & Patterson, Jim/Stage Money_ The Business of the Professional Theater - Tim Donahue & Jim Patterson.txt
- The chiefs of the biggest not-for-profit theaters make big salaries. Some question if the salaries are commensurate with the duties. Andre Bishop, artistic director of the Lincoln Center Theatre, who was paid more than four hundred thousand dollars in the 2007 season, said, “I receive a handsome salary and worked 35 years to get it…. The…ebooks/Donahue, Tim & Patterson, Jim/Stage Money_ The Business of the Professional Theater - Tim Donahue & Jim Patterson.txt
- Remember that three not-for-profit theaters produce on Broadway: the Lincoln Center Theatre, the Manhattan Theatre Club, and Roundabout Theatre. They are sometimes called the super-nfps. By producing on Broadway, these organizations and the artists whose work appears on their Broadway stages are eligible for Tony Awards. Perhaps because o…ebooks/Donahue, Tim & Patterson, Jim/Stage Money_ The Business of the Professional Theater - Tim Donahue & Jim Patterson.txt
- The Lincoln Center Theatre operates the Vivian Beaumont Theatre, a Broadway stage, the Mitzi Newhouse, an off-Broadway house, and it is building a new off-off-Broadway theater that seats ninety-nine. Part of the Lincoln Center for the Performing Arts, the 1960s campus holding the performing spaces for the New York Philharmonic, the Metrop…ebooks/Donahue, Tim & Patterson, Jim/Stage Money_ The Business of the Professional Theater - Tim Donahue & Jim Patterson.txt
- Only in 1985, after years of disuse, was a successful organization formed that revived the Vivian Beaumont Theatre. Lincoln Center Theatre (LCT) was the country's largest not-for-profit theater, but as in 2008, The Roundabout wields a bigger budget. The total budgets for the Kennedy Center and the Center Group in Los Angeles are as large…ebooks/Donahue, Tim & Patterson, Jim/Stage Money_ The Business of the Professional Theater - Tim Donahue & Jim Patterson.txt
What this page does not know
- What played here before Broadway record-keeping starts, and what played here outside it — concerts, benefits, film runs, anything that was not a listed production.
- How long 15 of these runs lasted. No performance count on the record.
- When 1 of these run ended. They carry an opening date and no closing date, and they are old enough that they certainly closed — nobody wrote down the date.