Theatre Register
Theatre Royal, Drury Lane

Theatre Royal, Drury Lane

Shows · Theatre Royal, Drury Lane

West End Open 19192013 on this page59 productionsLandmark

The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The present building, opened in 1812, is the most recent of four theatres that have stood at the location since 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama…

By decade59 productions across 11 decades

  1. 1910s 1
  2. 1920s 3
  3. 1930s 2
  4. 1940s 1
  5. 1950s 1
  6. 1960s 4
  7. 1970s 22
  8. 1980s 4
  9. 1990s 9
  10. 2000s 11
  11. 2010s 1

Counted from the productions we hold, which are Broadway and a partial West End. A quiet decade here can mean a dark theatre and can mean a gap in the record.

Everything that played here59 productions

1919 Rodgers + Hammerstein's Cinderella Opening date not recorded · Transfer
1924 Rose Marie 1927 Opening date not recorded · Original · no show page
1928 Show Boat May 3, 1928 · Transfer
1928 Showboat 1929 Opening date not recorded · Original · no show page
1931 Cavalcade 1932 Opening date not recorded · Original · no show page
1934 Three Sisters Opening date not recorded · Original · no show page
1945 p=33}} Opening date not recorded · Original · no show page
1959 p=208}} }} Opening date not recorded · Original · no show page
1964 Camelot Opening date not recorded · Transfer
1964 Camelot 1965 Opening date not recorded · Original · no show page
1965 Hello Dolly! 1967 Opening date not recorded · Original · no show page
1969 Mame 1970 Opening date not recorded · Original · no show page
1970 The Great Waltz 1972 Opening date not recorded · Original · no show page
1972 Gone with the Wind 1973 Opening date not recorded · Original · no show page
1972 p=26}} ) and Charles Hart held out for shares and good contracts in the Kin Opening date not recorded · Original · no show page
1972 p=27}} British playwrights wrote parts for outspoken female characters, da Opening date not recorded · Original · no show page
1972 p=41}} The picture-frame-like separation between audience and performance Opening date not recorded · Original · no show page
1972 p=51}} Opening date not recorded · Original · no show page
1972 pp=26–28}} Langhans, p. 16 Imitating the innovations at Lincoln' Opening date not recorded · Original · no show page
1972 pp=38–42}} With the appearance of actresses for the first time at Drury La Opening date not recorded · Original · no show page
1972 pp=52–54, 58}} Nevertheless, it was mostly at the struggling Theatre Royal Opening date not recorded · Original · no show page
1972 pp=62, 74, 79–85}} On 2 March 1717 was the premiere of the ballet [[The Lo Opening date not recorded · Original · no show page
1974 Billy 1976 Opening date not recorded · Original · no show page
1976 pp=19–21}} {{harvnb Opening date not recorded · Original · no show page
1979 p=12}} Experienced actors Michael Mohun (who Pepys called "the best ac Opening date not recorded · Original · no show page
1979 p=80}} Opening date not recorded · Original · no show page
1979 p=82}} }} Opening date not recorded · Original · no show page
1979 p=82}} Additionally three rooms were provided for scripts, including a lib Opening date not recorded · Original · no show page
1979 p=82}} The new play is assumed to have been John Vanbrugh's [[The Re Opening date not recorded · Original · no show page
1979 p=ix}} Opening date not recorded · Original · no show page
1979 pp=15–26}} Internal power structures were the main reason for this differe Opening date not recorded · Original · no show page
1979 pp=37–40, 56–57}} and Rich attempted to recoup their depredations of the c Opening date not recorded · Original · no show page
1979 pp=4–7}} The new playhouse, architect unknown, opened on 7 May 1663 and wa Opening date not recorded · Original · no show page
1979 pp=80–81}} Opening date not recorded · Original · no show page
1981 p=103}} Opening date not recorded · Original · no show page
1981 p=92}} Opening date not recorded · Original · no show page
1981 pp=103–104}} Effects for an 1829 production were produced by [[hydraulics Opening date not recorded · Original · no show page
1981 The Best Little Whorehouse in Texas 1983 Opening date not recorded · Original · no show page
1993 p=20}} Opening date not recorded · Original · no show page
1993 p=34}} }} Opening date not recorded · Original · no show page
1993 p=35}} }} Actress Sarah Siddons, then part of the Drury Lane company, c Opening date not recorded · Original · no show page
1995 p=309}} For most of that time, it was one of a handful of [[patent theatre Opening date not recorded · Original · no show page
1995 p=310}} Opening date not recorded · Original · no show page
1995 p=310}} specifies 3611. The motivation behind building on such a large sca Opening date not recorded · Original · no show page
1995 p=42}} Linley took up the post of Musical Director at the theatre, receivi Opening date not recorded · Original · no show page
1995 p=44}} Opening date not recorded · Original · no show page
1995 p=45}} Opening date not recorded · Original · no show page
2000 p=268}} In 1833, Alfred Bunn gained control of both Drury Lane and Cov Opening date not recorded · Original · no show page
2000 The Witches of Eastwick 2001 Opening date not recorded · Original · no show page
2001 My Fair Lady revival 2003 Opening date not recorded · Original · no show page
2003 Anything Goes revival 2004 Opening date not recorded · Original · no show page
2004 The Producers November 9, 2004 · Transfer
2005 p=60}} Green baize cloth covered the benches in the pit and served to Opening date not recorded · Original · no show page
2005 pp=59–60}} Set well back from the broader streets, the theatre was accesse Opening date not recorded · Original · no show page
2007 pp=150, 263}} American imports also included Lerner and Loewe's [[My Opening date not recorded · Original · no show page
2008 p=xvii}} often including the thrust stages found in the [[English Rena Opening date not recorded · Original · no show page
2009 pp=117–118}} Towards the end of the 1790s, Grimaldi starred in [[Robinso Opening date not recorded · Original · no show page
2009 pp=45–46}} Grimaldi became best known for his development of the modern da Opening date not recorded · Original · no show page
2013 pp=55–56}} Opening date not recorded · Original · no show page

In the literature8 passages

  • The production went on to run for 2,281 performances, again a huge achievement, especially given the much larger capacity of the Theatre Royal, Drury Lane (with more than 2,000 seats), compared to the Mark Hellinger on Broadway (approximately 1,500 seats). So successful was the London incarnation of the show that Columbia decided to recor…ebooks/McHugh, Dominic/Loverly_The Life and Times of My Fair Lady (Broadway Legacies) - Dominic McHugh.txt
  • Novello’s best remembered and most performed show is The Dancing Years, which opened at the Theatre Royal, Drury Lane in March 1939. In the plot the composer Rudi Kleber (the leading male role, played, as usual, by Novello himself) is in love with the opera singer Maria Ziegler (Mary Ellis), but their affair is thwarted through misunderst…ebooks/Music, The Cambridge Companion To The Musical Cambridge Companions To/Cambridge Companion to the Musical (Cambridge Companions to Music), The - The Cambridge Companion To The Musical Cambridge Companions To Music.txt
  • Source: Production of Oliver! at Theatre Royal, Drury Lane. Photograph by Catherine Ashmore. Copyright Oliver Productions Ltd. & Oliver Promotions Ltd.ebooks/Napolitano, Marc/Oliver!_ A Dickensian Musical - Marc Napolitano.txt
  • He would outdo himself more than ten years later when he revived the show again, this time at the Theatre Royal, Drury Lane. While the Palladium version had come close to his ideal vision of what Oliver! could be, Drury Lane offered a unique opportunity to see this ideal reach fruition, primarily owing to the structural differences betwee…ebooks/Napolitano, Marc/Oliver!_ A Dickensian Musical - Marc Napolitano.txt
  • Source: “Who Will Buy?” from Oliver! at Theatre Royal, Drury Lane. Photograph by Catherine Ashmore. Copyright Oliver Productions Ltd. & Oliver Promotions Ltd.ebooks/Napolitano, Marc/Oliver!_ A Dickensian Musical - Marc Napolitano.txt

What this page does not know

  • What played here before Broadway record-keeping starts, and what played here outside it — concerts, benefits, film runs, anything that was not a listed production.
  • How long 59 of these runs lasted. No performance count on the record.
  • When 59 of these runs ended. They carry an opening date and no closing date, and they are old enough that they certainly closed — nobody wrote down the date.

Something wrong here? Correct a field or report the problem. Every change is recorded in public under the contributor licence.