On stage 5 productions, 7 years
| 1971 | Follies Winter Garden Theatre · Original · directed by Harold Prince & Michael Bennett | 522 perf. |
| 1973 | Sondheim: A Musical Tribute Shubert Theatre · Original · directed by Burt Shevelove | |
| 1973 | The Women 46th Street Theatre · Revival · directed by Morton Da Costa | 63 perf. |
| 1975 | Summer Brave Anta Playhouse · Original · directed by Michael Montel | 18 perf. |
| 1978 | Platinum Mark Hellinger Theatre · Original · directed by Joe Layton | 33 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once10 names
| Virginia Sandifur | 2 productions |
| Victoria Mallory | 2 productions |
| Mary McCarty | 2 productions |
| Marti Rolph | 2 productions |
| Justine Johnston | 2 productions |
| John McMartin | 2 productions |
| Harvey Evans | 2 productions |
| Ethel Shutta | 2 productions |
| Dorothy Collins | 2 productions |
| Camila Ashland | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 2 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature8 passages
- Original cast (1971) : Alexis Smith, Gene Nelson, John McMartin, Yvonne DeCarlo, Dorothy Collins, Mary McCarty, Ethel Shutta, Victoria Mallory, Fifi D’Orsay, Harold Hastings (conductor). Capitol SO 761.ebooks/Block, Geoffrey/Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block.txt
- Alexis Smith was quietly working away. No one was aware of it, but she was working harder and pushing herself further than anyone else. To all appearances, she remained cool and relaxed. And the more she relaxed, the funnier she became. She chanced to walk by a dancer, one of whose roles was a waiter with whom she is caught necking late i…ebooks/Chapin, Ted/Everything Was Possible_ The Birth of the Musical Follies (Applause Books) - Ted Chapin.txt
- Alexis Smith-first attempt at a costume and wig for “Uptown, Downtown.” Rita Hayworth.ebooks/Chapin, Ted/Everything Was Possible_ The Birth of the Musical Follies (Applause Books) - Ted Chapin.txt
- Alexis Smith, and relegated this shot to the lead photograph of the story inside.ebooks/Chapin, Ted/Everything Was Possible_ The Birth of the Musical Follies (Applause Books) - Ted Chapin.txt
- Like Willson, James Goldman was writing an original. He gave life to two showgirl roommates: Phyllis Rogers (Alexis Smith) and Sally Durant. They’d met and worked together in 1941 in The Weismann Follies, then respectively married Benjamin Stone and Buddy Plummer, two college chums who’d been their Stage Door Johnnies. How much everyone h…ebooks/Filichia, Peter/Strippers, Showgirls, and Sharks - Peter Filichia.txt
- FLORENCE KLOTZ: Your eyes will always go to red, which is why there is a lady in red in all of my shows. In Follies it was Alexis Smith. In The Little Foxes it was Elizabeth Taylor. In Showboat Magnolia is dressed in a beaded, very vivid red gown when her father sees her in Chicago after so many years. Glynis Johns told me she couldn’t we…ebooks/Frommer, Myrna Katz & Frommer, Harvey/It Happened on Broadway_ An Oral History of the Great White Way - Myrna Katz Frommer & Harvey Frommer.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.