Bill Hinnant

On stage 5 productions, 17 years

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once2 names

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 1 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

Also credited on1 work

You’re a Good Man, Charlie Brown

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature3 passages

• Cast: Bill Hinnant, Reva Rose, Karen Johnson, Bob Balaban, Skip Hinnant, Gary Burghoffebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
• You’re a Good Man, Charlie Brown. Karen Johnson, Skip Hinnant, Reva Rose, Bill Hinnant, and Gary Burghoff. (Lawrence Belling)ebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
• with Samuel D. Ratcliffe (replacing Bill Hinnant), Mary Bracken Phillips, Phil Leeds, Liz Sheridan, and Louis Criscuolo opened October 12, 1972theatre-pdfs/More Opening Nights on Broadway - Steven Suskin.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
• Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.