On stage 8 productions, 9 years
| 1920 | Broadway Brevities of 1920 Winter Garden Theatre · Original · directed by J. C. Huffman | 105 perf. |
| 1921 | The Rose Girl Ambassador Theatre · Original · directed by J. C. Huffman | 100 perf. |
| 1922 | The Gingham Girl Earl Carroll Theatre · Original · directed by Edgar MacGregor | 322 perf. |
| 1924 | No Other Girl Morosco Theatre · Original · directed by John Meehan | 56 perf. |
| 1926 | Sweetheart Time Imperial Theatre · Original · directed by Larry Ceballos | 143 perf. |
| 1926 | The Desert Song Casino Theatre · Original · directed by Arthur Hurley | 471 perf. |
| 1928 | Good Boy Hammerstein's Theatre · Original · directed by Reginald Hammerstein | 253 perf. |
| 1929 | Lady Fingers Vanderbilt Theatre · Original · directed by Roy Mack | 132 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once8 names
| William Sully | 2 productions |
| Muriel Greel | 2 productions |
| Lucille Moore | 2 productions |
| Louise Allen | 2 productions |
| Helen Ford | 2 productions |
| Betty Wright | 2 productions |
| Alice Monroe | 2 productions |
| Al Sexton | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 6 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on2 works
Best Foot Forward
Little Johnny Jones
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature2 passages
- Cast: Vivienne Segal, Robert Halliday, Eddie Buzzell, Pearl Regay, William O’Nealebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Girl” with Helen Ford and Eddie Buzzell, “Sally, Irene and Mary” with Eddie Dowling and Hal Van Rensselaer, and “The Greenwich Village Follies” with Carl Randall, Marjorie Peterson and Savoy and Brennan. Elsie Janis appeared in “Elsie Janis and Her Gang,” Peggy Wood was in “The Clinging Vine,”’ Edith Day, Queenie Smith and Hal Skelly were…theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — book writer, actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.