On stage 20 productions, 67 years
| 1942 | Beat the Band 46th Street Theatre · Original · directed by George Abbott | 68 perf. |
| 1946 | Loco Biltmore Theatre · Original | 37 perf. |
| 1946 | Made in Heaven Henry Millers Theatre · Original · directed by Martin Manulis | 92 perf. |
| 1947 | Angel in the Wings Coronet Theatre · Original · directed by John Kennedy | 308 perf. |
| 1949 | Yes, M'Lord Booth Theatre · Original · directed by Colin Chandler | 87 perf. |
| 1952 | Pal Joey Broadhurst Theatre · Revival · directed by Robert Alton | 540 perf. |
| 1954 | On Your Toes 46th Street Theatre · Revival · directed by George Balanchine | 64 perf. |
| 1955 | Bus Stop Music Box Theatre · Original · directed by Harold Clurman | 478 perf. |
| 1957 | The Sin of Pat Muldoon Cort Theatre · Original · directed by Jack Garfein | 5 perf. |
| 1958 | Goldilocks Lunt-Fontanne Theatre · Original · directed by Walter Kerr | 161 perf. |
| 1961 | Sail Away! Broadhurst · Original · directed by Noel Coward | 167 perf. |
| 1962 | Who's Afraid of Virginia Woolf? Billy Rose Theatre · Original · directed by Alan Schneider | 664 perf. |
| 1970 | Company Alvin Theatre · Original · directed by Harold Prince | 705 perf. |
| 1987 | Happy Birthday, Mr. Abbott! Palace Theatre · Original · directed by Fritz Holt | 1 perf. |
| 1989 | Love Letters Edison Theatre · Original · directed by John Tillinger | 96 perf. |
| 1993 | Company Vivian Beaumont Theater · Revival · directed by Harold Prince | 2 perf. |
| 1994 | Show Boat Gershwin Theatre · Revival · directed by Harold Prince | 947 perf. |
| 1996 | A Delicate Balance Plymouth Theatre · Revival · directed by Gerald Gutierrez | 185 perf. |
| 1996 | Angela Lansbury - A Celebration Majestic Theatre · Original · directed by Diana Baffa-Brill | 1 perf. |
| 2009 | A Little Night Music Walter Kerr Theatre · Revival · directed by Trevor Nunn | 425 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Susan Browning | 2 productions |
| Steve Elmore | 2 productions |
| Stanley Grover | 2 productions |
| Russell Nype | 2 productions |
| Peggy Taphorn | 2 productions |
| Pamela Myers | 2 productions |
| Nathaniel Frey | 2 productions |
| Merle Louise | 2 productions |
| Mark Santoro | 2 productions |
| John Cunningham | 2 productions |
| John Carter | 2 productions |
| Joel Blum | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 2 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- The topical “Zip”—a song in which newspaper reporter Melba Snyder (played in the revival by Elaine Stritch) acts out her interview with Gypsy Rose Lee, “the star who worked for Minsky”—also underwent several lyrical changes in 1952. In the revival Melba opened the song with Hart’s earlier version of the first lines when she recalls her in…ebooks/Block, Geoffrey/Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block.txt
- Original revival cast (1954) : Vera Zorina, Bobby Van, Elaine Stritch, Ben Astar, Kay Coulter, Joshua Shelley, Nicholas Orloff, Jack Williams, George Church, Salvatore Dell’Isola (conductor). Decca DL 9015; reissued on Stet DS 15024. Missing: “La Princesse Zenobia Ballet.”ebooks/Block, Geoffrey/Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block.txt
- Original revival cast, studio cast (1952) : Helen Gallagher, Patricia Northrop, Elaine Stritch, Lewis Bolyard, Jane Froman, Dick Beavers, Max Meth (conductor) (1952 lyrics and orchestrations). Missing: Ballet (“Chez Joey”). Angel ZDM 0777–7-646962–2-1.ebooks/Block, Geoffrey/Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block.txt
- Revival cast (1994) : Rebecca Luker, Lonette McKee, Mark Jacoby, Elaine Stritch, Michel Bell, Gretha Boston, Robert Morse, Jeffrey Huard (conductor). Quality 257.ebooks/Block, Geoffrey/Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block.txt
- In fact, virtually all the critics lavished praise on Segal, Lang, Gallagher, Elaine Stritch, and dancer Helen Wood. But Walter Kerr in the New York Herald-Tribune was the lone naysayer in assessing Lang’s performance and said he was “a lightweight in heavyweight company. . . . He would be just a shade under-age for the part of Willie Bax…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- In 1958, a faithful television adaptation of the musical was seen on CBS (with Russell and Jacqueline McKeever), and in 1960 the stories were adapted into a CBS television series for Elaine Stritch and Shirley Bonne that lasted for one season. The musical has been revived in New York five times, three times by the New York City Center Lig…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.